Michael A. Hernandez is an American comics artist also known by the pen name Michael Bair, who is best known for his work as an inker. His work includes Marvel Comics' Alpha Flight, and DC Comics' Hawkman. He is best known for inking Rags Morales' pencils since 2002, most notably on the miniseries Identity Crisis.
Biography
Bair started his career in the early 1980s, pencilling a "Stormy Tempest" story in Star*Fems #2 for AC Comics/Paragon Publications in 1982. In 1983, he began working for the leading American comic book publishers, DC Comics and Marvel Comics. Bair's first work for "DC was the 'Huntress' backup in Wonder Woman and then JSA Vs America," all of which work, he recalls, "was pencilling." He produced a range of penciled and inked covers for the company over the following ten years; for Marvel he penciled a backup story for Moon Knight #31 (May 1983), but focused on non-Marvel work until the mid-to-late 1980s.
Between 1984 and 1985, Bair worked for Eclipse Comics, drawing covers and interior pencils for Aztec Ace, pencils and inks for Crimson Dawn, and backup features for Sabre.
For these few early years of his career, Bair says he "used my legal name which is Michael Hernandez. I chose to change to Bair because it's my mother's maiden name and you have to understand, there are a lot of Hernandez's in comics- I've even got chided over it [laughs]. It was simple to go with Bair — there are no other Bairs in comics — though I did get a call from Mike Barr over it [laughs]."
Pencils
DC Comics
Bair's major work in the 1980s was providing interior pencils and often inks for DC Comics. In particular, he had a long run working on a number of Golden Age-connected characters with Roy Thomas. Penciling Infinity, Inc. gave way to some of his most notable works, co-creating the Young All-Stars and Young Allies in the pages of Young All-Stars with Roy and Dann Thomas.
His pencils graced the pages of Firestorm, and his inks appeared in Captain Atom in the late 1980s, during which time he inked the Catwoman mini-series written by Mindy Newell. Bair contributed work to DC's guidebook titles, including Secret Origins and Who's Who: The Definitive Directory of the DC Universe from 1985 to 1989.
Marvel Comics
Between 1987 and 1995, Bair drew a number of covers for Marvel Comics, pencilling, inking and occasionally painting several. Producing most of his Marvel work during the early 1990s, Bair provided the art for a story in the 1990 Daredevil Annual. Writer Gregory Wright commented "I don't think that story could have worked at all if it weren't for the terrific artwork of Michael Bair". Bair then pencilled Alpha Flight for a year, and provided pencils to various Marvel Comics series including The Avengers Annual #20, Nick Fury, Agent of S.H.I.E.L.D. vol. 2 #12, The Punisher War Journal #34, and Uncanny X-Men #280.
He contributed pencils and inks to the Wild Cards anthology for Epic Comics, before - - switching mostly to inking duties, including on Sleepwalker and What If...? #36. He provided both pencils and inks to the first five issues of the Hellstorm series in 1993.
Other
Around 1994, Bair ceased his association with Marvel and DC in favor of Valiant/Acclaim, pencilling and inking issues and covers for X-O Manowar, Bloodshot, and Blood and Roses, among others.
Inks
Bair recalled in 2004 that, "[t]he first ten years of my career was all pencilling — I didn't know how to ink". Having, early in his career, shown samples to Jim Shooter (then Marvel's Editor-in-chief), Bair recalled nearly twenty years later that Shooter "said, 'Those pencils look pretty good', and then when I showed him my inking, he said, 'But stay away from the inks'".
These comments, he says, "felt like a personal challenge, so on my own I worked on my inks and creators like Mark Texeira, who I worked with in the past, strongly influenced how I approached inking. The more I learned about inks, the more I wanted to ink my own work — there's a reason why you don't see too many people pencilling and inking their own work — it's just too much to do on a monthly schedule". The time-consuming nature of this led Bair to largely move away from penciling in favor of inking the pencils of others.
During the mid-1990s, Bair inked David W. Mack at Caliber Press and William Tucci at Crusade Entertainment on their respective comics: Kabuki and Shi. After working for various smaller publishers, Bair penciled and inked a couple of comics for Harris Comics' Vampirella.