Scott’s poem on the Field of Waterloo was written to assist the Waterloo subscription.
THE following Poem is founded upon a Spanish Tradition, bearing, in general, that Don Roderick, the last Gothic King of Spain, when the invasion of the Moors was depending, had the temerity to descend into an ancient vault, near Toledo, the opening of which had been denounced as fatal to the Spanish Monarchy. The legend adds, that his rash curiosity was mortified by an emblematical representation of those Saracens who, in the year 714, defeated him in battle, and reduced Spain under their dominion. I have presumed to prolong the Vision of the Revolutions of Spain down to the present eventful crisis of the Peninsula, and to divide it, by a supposed change of scene, into, THREE PERIODS. The FIRST of these represents the Invasion of the Moors, the Defeat and Death of Roderick, and closes with the peaceful occupation of the country by the victors. The SECOND PERIOD embraces the state of the Peninsula when the conquests of the Spaniards and Portuguese in the East and West Indies had raised to the highest pitch the renown of their arms; sullied, however, by superstition and cruelty. An allusion to the inhumanities of the Inquisition terminates this picture. The LAST PART of the Poem opens with the state of Spain previous to the unparalleled treachery of BUONAPARTE, gives a sketch of the usurpation attempted upon that unsuspicious and friendly kingdom, and terminates with the arrival of the British succours. It may be further proper to mention, that the object of the Poem is less to commemorate or detail particular incidents, than to exhibit a general and impressive picture of the several periods brought upon the stage.
LIVES there a strain, whose sounds of mounting fire May rise distinguished o’er the din of war; Or died it with yon Master of the Lyre Who sung beleaguered Ilion’s evil star? Such, WELLINGTON, might reach thee from afar, Wafting its descant wide o’er Ocean’s range; Nor shouts, nor clashing arms, its mood could mar, All, as it swelled ’twixt each loud trumpet-change, That clangs to Britain victory, to Portugal revenge!
Yes! such a strain, with all o’er-pouring measure, Might melodise with each tumultuous sound Each voice of fear or triumph, woe or pleasure, That rings Mondego’s ravaged shores around; The thundering cry of hosts with conquest crowned, The female shriek, the ruined peasant’s moan, The shout of captives from their chains unbound, The foiled oppressor’s deep and sullen groan, A Nation’s choral hymn, for tyranny o’erthrown.