Mother-naked sits Theseus: and round about him, not much more veiled, ride his Athenians, in Pan-Athenaic procession, honouring their Queen-Goddess. Admired, beyond all other marble shapes in the world; for which reason, the gentlemen of my literary club here in London, professing devotion to the same goddess, decorate their very comfortable corner house in Pall Mall with a copy of this Attic sculpture.
Being therein, themselves, Attic in no wise, but essentially barbarous, pilfering what they cannot imitate: for a truly Attic mind would have induced them to pourtray themselves, as they appear in their own Pan-Christian procession, whenever and wherever it may be:--presumably, to Epsom downs on the Derby day.
You may see, I said, the statue of Theseus whenever you care to do so. I do not in the least know why you should care. But for years back, you, or your foolish friends, have been making a mighty fuss to get yourselves into the British Museum on Sundays: so I suppose you want to see the Theseus, or the stuffed birds, or the crabs and spiders, or the skeleton of the gorilla, or the parched alligator-skins; and you imagine these contemplations likely to improve, and sanctify, that is to say, recreate, your minds.
But are you quite sure you have got any minds yet to be recreated? Before you expect edification from that long gallery full of long-legged inconceivable spiders, and colossal blotchy crabs, did you ever think of looking with any mind, or mindfulness, at the only too easily conceivable short-legged spider of your own English acquaintance? or did you ever so much as consider why the crabs on Margate sands were minded to go sideways instead of straightforward? Have you so much as watched a spider making his cobweb, or, if you have not yet had leisure to do that, in the toil of your own cobweb-making, did you ever think how he threw his first thread across the corner?
No need for you to go to the British Museum yet, my friends, either on Sundays or any other day.
"Well, but the Greek sculpture? We can't see that at home in our room corners."
And what is Greek sculpture, or any sculpture, to you? Are your own legs and arms not handsome enough for you to look at, but you must go and stare at chipped and smashed bits of stone in the likenesses of legs and arms that ended their walks and work two thousand years ago?