A successful concert with mouth-organs, combs, and tissue-paper and penny whistles was given by the Guards in the front-line trenches near Loos. They played old English melodies, harmonized with great emotion and technical skill. It attracted an unexpected audience. The Germans crowded into their front line--not far away--and applauded each number. Presently, in good English, a German voice shouted across:
"Play 'Annie Laurie' and I will sing it."
The Guards played "Annie Laurie," and a German officer stood up on the parapet--the evening sun was red behind him--and sang the old song admirably, with great tenderness. There was applause on both sides.
"Let's have another concert to-morrow!" shouted the Germans.
But there was a different kind of concert next day, and the music was played by trench-mortars, Mills bombs, rifle-grenades, and other instruments of death in possession of the Guards. There were cries of agony and terror from the German trenches, and young officers of the Guards told the story as an amusing anecdote, with loud laughter.
It was astonishing how loudly one laughed at tales of gruesome things, of war's brutality-I with the rest of them. I think at the bottom of it was a sense of the ironical contrast between the normal ways of civilian life and this hark-back to the caveman code. It made all our old philosophy of life monstrously ridiculous. It played the "hat trick" with the gentility of modern manners. Men who had been brought up to Christian virtues, who had prattled their little prayers at mothers' knees, who had grown up to a love of poetry, painting, music, the gentle arts, over-sensitized to the subtleties of half-tones, delicate scales of emotion, fastidious in their choice of words, in their sense of beauty, found themselves compelled to live and act like ape-men; and it was abominably funny. They laughed at the most frightful episodes, which revealed this contrast between civilized ethics and the old beast law. The more revolting it was the more, sometimes, they shouted with laughter, especially in reminiscence, when the tale was told in the gilded salon of a French chateau, or at a mess-table.
It was, I think, the laughter of mortals at the trick which had been played on them by an ironical fate. They had been taught to believe that the whole object of life was to reach out to beauty and love, and that mankind, in its progress to perfection, had killed the beast instinct, cruelty, blood-lust, the primitive, savage law of survival by tooth and claw and club and ax. All poetry, all art, all religion had preached this gospel and this promise.