Some of the minor characters are drawn with a vigorous hand. The dog Befo, is a powerful delineation of heroic fidelity, seldom equalled by his superiors of the human race. Gaspar Olea, the Barba-Roxa, or red haired, is a fine specimen of the bold, blunt, honest soldier; and Bernal Diaz, (the historian of the Conquest,) though little distinguished in the story, adds to its interest. The Lord of Death, is a fine picture of the lofty race of barbarians, who spurned the slavery of their foreign foe, and died in resisting it. Najara, the hunchback and the cynic, is also a well drawn character.
The Infidel will, we doubt not, enjoy a popularity equal to that of Calavar. It confirms public opinion as to the abilities of the author, who has suddenly taken a proud station in the van of American writers of romance. He possesses a fertility of imagination rarely possessed by his compeers. In many of their works, there is a paucity of events; and incidents of small intrinsic importance, are wrought up by the skill of the writer so as to give a factitious interest to a very threadbare collection of facts. Great ability may be displayed in this manner; but our author seems to find no such exertion necessary. The fertility of his imagination displays itself in the constant recurrence of dramatic situations, striking incidents and stirring adventures; so much so, that the interest of the reader, in following his characters through the mazes of perils and enterprizes, vicissitudes and escapes, which they encounter, is often painfully excited. If this be a fault, it is one which is creditable to the powers of the author, and indicates an exuberance of invention, which will bear him through a long course of literary exertions, and insure to him great favor with the votaries of romance.
Thera are some minor faults which might be noticed. As an instance, the author habitually uses the word "_working_" in describing the convulsions of the countenance, under the influence of strong passions: as, "his _working_ and agonized visage"--"his face _worked_ convulsively," &c. Although Sir Walter Scott is authority for the use of the word in this manner, we have always considered it a decided inelegance. But such blemishes cannot seriously detract from the enduring excellence of the work.