"There's nought more to say, wench," said he to Margaret, as she begged him to go on. "That night we reached Manchester, and I'd found out that Jennings would be glad enough to give up babby to me, so I took her home at once, and a blessing she's been to me."
They were all silent for a few minutes; each following out the current of their thoughts. Then, almost simultaneously, their attention fell upon Mary. Sitting on her little stool, her head resting on her father's knee, and sleeping as soundly as any infant, her breath (still like an infant's) came and went as softly as a bird steals to her leafy nest. Her half-open mouth was as scarlet as the winter-berries, and contrasted finely with the clear paleness of her complexion, where the eloquent blood flushed carnation at each motion. Her black eye-lashes lay on the delicate cheek, which was still more shaded by the masses of her golden hair, that seemed to form a nest-like pillow for her as she lay. Her father in fond pride straightened one glossy curl, for an instant, as if to display its length and silkiness. The little action awoke her, and, like nine out of ten people in similar circumstances, she exclaimed, opening her eyes to their fullest extent,
"I'm not asleep. I've been awake all the time."
Even her father could not keep from smiling, and Job Legh and Margaret laughed outright.
"Come, wench," said Job, "don't look so gloppened [37] because thou'st fallen asleep while an oud chap like me was talking on oud times. It were like enough to send thee to sleep. Try if thou canst keep thine eyes open while I read thy father a bit on a poem as is written by a weaver like oursel. A rare chap I'll be bound is he who could weave verse like this."
[Footnote 37: "Gloppened," amazed, frightened.]
So adjusting his spectacles on nose, cocking his chin, crossing his legs, and coughing to clear his voice, he read aloud a little poem of Samuel Bamford's [38] he had picked up somewhere.
[Footnote 38: The fine-spirited author of "Passages in the Life of a Radical"--a man who illustrates his order, and shows what nobility may be in a cottage.]
God help the poor, who, on this wintry morn, Come forth from alleys dim and courts obscure. God help yon poor pale girl, who droops forlorn, And meekly her affliction doth endure; God help her, outcast lamb; she trembling stands, All wan her lips, and frozen red her hands; Her sunken eyes are modestly down-cast, Her night-black hair streams on the fitful blast; Her bosom, passing fair, is half revealed, And oh! so cold, the snow lies there congealed; Her feet benumbed, her shoes all rent and worn, God help thee, outcast lamb, who standst forlorn! God help the poor!