_7. Man._—That when the brute was at times invested with the aureole of the Divine, man himself should at times partake of its glory, need be expected. But here let an important distinction be drawn. Never _as man_ was he clothed in the attributes of Deity, but just in so far as he was deemed to be _more than man_. The Latin saying, _deus homini deus_, never was true anywhere in its literal sense. Anthropism never existed in any religion. Man or the likeness of man was never worshipped by reason of any human attribute, but solely for those believed to be more than human, superhuman.
The tribes of Polynesia did adore their chieftains; the ancient Egyptians and many another people did pay their rulers divine honour, and rank them among the gods; but always because they considered them partakers of the divine nature, sharers in that which is ever beyond mere humanity.[198]
This profound distinction between the human and the humanised divine was sought to be expressed by most tribes by fashioning the images of the gods in vaguely human shapes, but with non-human elements. Diana with her hundred breasts, Brahma with his dozens of arms, Janus with his double face, and scores of other instances will at once rise in the memory. Enormous size, impossible features, accessories such as wings, tails, multiple heads and limbs, indicate not, as some would have it, a depraved artistic taste, but the effort of the pious carver to express in his work the non-human and superhuman character of the being he sets before the adoring eyes of the votaries.
It was only in a few gifted and glorious natures, notably the ancient Greeks, that the true distinction rose to full consciousness in the artistic soul—that in their corporeal forms the gods differ from men in their superior and matchless beauty, in their perfect symmetry and noble proportions. They recognised that there is something in beauty itself, which, in its highest expression, partakes truly and really of the divine, and leads man to the contemplation of laws beyond those of nature or of life, laws which are the expression of the deep harmonies of the universe.
This was the triumph of anthropomorphism. Pursuing the merely objective, the merely animal, it was led by the unseen hand which guides man to his destiny into the path which conducted far beyond what the senses can teach, into the realm of the ideal and the eternal, to