One man stands with his red-edged mats hanging over his back and chest, like a herald’s coat; and the girl with her basket of walnuts lifts her brown-stained fingers to her mouth, as she screams, “Fine warnuts! sixteen a penny, fine war-r-nuts.” A bootmaker, to “ensure custom,” has illuminated his shop-front with a line of gas, and in its full glare stands a blind beggar, his eyes turned up so as to show only “the whites,” and mumbling some begging rhymes, that are drowned in the shrill notes of the bamboo-flute-player next to him. The boy’s sharp cry, the woman’s cracked voice, the gruff, hoarse shout of the man, are all mingled together. Sometimes an Irishman is heard with his “fine ating apples;” or else the jingling music of an unseen organ breaks out, as the trio of street singers rest between the verses.

Then the sights, as you elbow your way through the crowd, are equally multifarious. Here is a stall glittering with new tin saucepans; there another, bright with its blue and yellow crockery, and sparkling with white glass. Now you come to a row of old shoes arranged along the pavement; now to a stand of gaudy tea-trays; then to a shop with red handkerchiefs and blue checked shirts, fluttering backwards and forwards, and a counter built up outside on the kerb, behind which are boys beseeching custom. At the door of a tea-shop, with its hundred white globes of light, stands a man delivering bills, thanking the public for past favours, and “defying competition.” Here, alongside the road, are some half-dozen headless tailors’ dummies, dressed in Chesterfields and fustian jackets, each labelled, “Look at the prices,” or “Observe the quality.” After this is a butcher’s shop, crimson and white with meat piled up to the first-floor, in front of which the butcher himself, in his blue coat, walks up and down, sharpening his knife on the steel that hangs to his waist. A little further on stands the clean family, begging; the father with his head down as if in shame, and a box of lucifers held forth in his hand--the boys in newly-washed pinafores, and the tidily got-up mother with a child at her breast. This stall is green and white with bunches of turnips--that red with apples, the next yellow with onions, and another purple with pickling cabbages. One minute you pass a man with an umbrella turned inside up and full of prints; the next, you hear one with a peepshow of Mazeppa, and Paul Jones the pirate, describing the pictures to the boys looking in at the little round windows. Then is heard the sharp snap of the percussion-cap from the crowd of lads firing at the target for nuts; and the moment afterwards, you see either a black man half-clad in white, and shivering in the cold with tracts in his hand, or else you hear the sounds of music from “Frazier’s Circus,” on the other side of the road, and the man outside the door of the penny concert, beseeching you to “Be in time--be in time!” as Mr. Somebody is just about to sing his favourite song of the “Knife Grinder.” Such, indeed, is the riot, the struggle, and the scramble for a living, that the confusion and uproar of the New-cut on Saturday night have a bewildering and saddening effect upon the thoughtful mind.

London Labour and the London Poor (Vol. 1 of 4) — Part 22