In the evening there was great feasting and drinking, but the daughters of the Hersir of Svithjod did not make their appearance.

Wonderful, indeed, was Upsalir, and it was not strange that its fame extended far and wide, for it was the most beautiful burg in all the northern lands. The buildings and houses that faced the immense quadrangle which they surrounded made an extraordinary sight; there were houses with wooden walls that had stood the storms of centuries, some of which, it was believed, had been built by Frey himself. What immense-sized oaks and fir trees had been used in the construction of these buildings! The timbers had become so hardened on account of the resin having been absorbed by the fibres of the wood, that they seemed indestructible. Gold and silver had not been spared in the inside ornamentation of many of these structures; the best architects and artists of those days had been employed in their construction, ornamentation, and carvings. Many of these houses looked very weird and fantastic, and were of the same style of architecture as those of Dampstadir, but of an earlier date.

Ivar the Viking — Part 117

Among those structures stood one finer than all the others; this was the great banqueting hall, famed all over the Norselands on account of its splendor, size, and peculiar outside ornamentation of gargoyles. The two doors leading into the interior were marvellous specimens of carving. The door-jambs represented the different ceremonies attending the funeral of Baldr, according to Norse belief, and a heavy gold knocker adorned each door.

Ivar the Viking — Part 117

The hall itself was superb; the walls were adorned with carvings, and represented a sacrifice made to Odin, and many other religious subjects. Shields hung all along the walls, and these were all adorned with gold, and with beautiful designs, many telling of the great deeds of the heroes of the race. They had been collected by each successive ruler of Svithjod, or had been given to them as presents by the most renowned smiths of the day. Tapestries hung where there was no carving, and these had been chiefly embroidered by the daughters and wives of the Hersirs who had ruled over Upsalir. Here was a tapestry representing ships gliding over the water with their gold-ornamented dragons; another represented a body of men dressed in war costume, ready to land. Many were hunting scenes with dogs or hawks.

Ivar the Viking — Part 117