Young Hamlyn picked them up. He turned the key in the wards with a loud click and pulled at the massive door until it slowly swung open.

Hamlyn took from a shelf a little box that had held elastic bands.

A Lost Cause — Part 139

The Archbishop started and flushed a deep crimson.

A Lost Cause — Part 139

He took a pyx from his pocket and reverently took out the desecrated Host from the box, placing it in the pyx.

A Lost Cause — Part 139

Then, with a face that was suffused to a deep purple, he touched the kneeling peer upon the shoulder. Lord Huddersfield rose with a deep sob of relief.

The Archbishop looked _once_ at Hamlyn, a look the man never forgot.

Then the two visitors turned and went away as swiftly and silently as they had come.

It was a long time before either father or son spoke a word.

At last Hamlyn cleared his throat and mouthed a sentence. It would not come. All that Sam could catch were the words

"The most enthralling and interest-compelling work of fiction this reviewer has ever encountered."--_The American, Nashville._

"It is in its wonderful tonic effect upon Christianity in England that the book is showing its most remarkable effects. It has become the theme of hundreds of sermons, and long extracts are being printed in the secular press as well as in the religious publications. It is known to have been the cause of a number of revivals throughout England, and its strange effect is increasing daily."--_N. Y. American._

THE BISHOP OF LONDON preaching at Westminster Abbey said: "I wonder if any of my hearers have read that remarkable work of fiction 'When It Was Dark.' The author paints in wonderful colors what would be the condition of the world if (as in the story is supposed to be the case) a conviction had come upon the people that the resurrection had never occurred."

"A critical handling of current journalism, ecclesiasticalism, and liberalism. A novel written from the inside as well as from observation; and from the heart as well as from the head."--_Congregationalist._

_Author of "The Emperor's Candlesticks," etc._

A dramatic romance of the French Revolution and the Émigré Nobles. The "Scarlet Pimpernel" was the chief of a daring band of young Englishmen leagued together to rescue members of the French nobility from the Terrorists of France. The identity of the brilliant and resourceful leader is sacredly guarded by his followers and eagerly sought by the agents of the French Revolutionary Government. Scenes of intrigue, danger, and devotion, follow close one upon another. The heroine is a charming, fearless woman who in the end shares the honors with the "Scarlet Pimpernel." In a stage version prepared by the author _The Scarlet Pimpernel_ was one of the dramatic successes of the last London season, Mr. Fred Terry and Miss Julia Neilson acting the leading rôles.