_Note_--In the course of the preceding article the writer has had occasion to refer frequently to the type of Nicholas Jenson in its relation to the modern British founts. The Editor has therefore included amongst the examples shown a page from the "Pliny," printed by Jenson in 1476, for purposes of comparison and reference. It will be found on page 21.

[Illustration: (_Reproduced by permission of the Trustees of the Kelmscott Press_)

The Art of the Book — Part 10

KELMSCOTT PRESS: PAGE FROM "THE WORKS OF GEOFFREY CHAUCER" PRINTED IN THE "CHAUCER" TYPE DESIGNED BY WILLIAM MORRIS. ILLUSTRATION BY SIR EDWARD BURNE-JONES, BART., BORDER AND INITIAL LETTER BY WILLIAM MORRIS]

The Art of the Book — Part 10

[Illustration: KELMSCOTT PRESS: PAGE FROM "THE TALE OF BEOWULF" PRINTED IN THE "TROY" TYPE DESIGNED BY WILLIAM MORRIS (REPRODUCED BY PERMISSION OF THE TRUSTEES OF THE KELMSCOTT PRESS)]

The Art of the Book — Part 10

[Illustration: KELMSCOTT PRESS: PAGE PRINTED IN THE "GOLDEN" TYPE DESIGNED BY WILLIAM MORRIS (REPRODUCED BY PERMISSION OF THE TRUSTEES OF THE KELMSCOTT PRESS)]

[Illustration: PAGE FROM THE "PLINY" PRINTED AT VENICE BY NICOLAS JENSON IN 1476]

[Illustration: ASHENDENE PRESS: PAGE PRINTED IN GREAT PRIMER TYPE MODELLED UPON THE TYPE USED BY SWEYNHEIM AND PANNARTZ AT SUBIACO IN 1465]

[Illustration: ERAGNY PRESS: OPENING PAGE OF THE "AREOPAGITICA" PRINTED IN THE "BROOK" TYPE, WITH BORDER AND INITIAL LETTER DESIGNED BY LUCIEN PISSARRO]

[Illustration: ERAGNY PRESS: PAGES FROM "SONGS BY BEN JONSON" PRINTED IN THE "BROOK" TYPE DESIGNED BY LUCIEN PISSARRO]

[Illustration: ERAGNY PRESS: OPENING PAGE OF COLERIDGE'S "CHRISTABEL" PRINTED IN THE "BROOK" TYPE, WITH BORDER AND INITIAL LETTER DESIGNED BY LUCIEN PISSARRO]

[Illustration: FLORENCE PRESS: PAGE FROM BOCCACCIO'S "OLYMPIA" SET IN ENGLISH TYPE DESIGNED BY HERBERT P. HORNE, AND PRINTED AT THE ARDEN PRESS, LETCHWORTH, FOR MESSRS. CHATTO AND WINDUS]

[Illustration: RICCARDI PRESS: PAGE FROM "SONNETS OF SHAKESPEARE" PRINTED IN 14 AND 11 POINT CAPITALS DESIGNED BY HERBERT P. HORNE. BORDER FROM BERNARD PICTOR AND ERHARDT RATDOLT'S "APPIANUS," 1477]

[Illustration: RICCARDI PRESS: PAGE FROM WALTER PATER'S "MARIUS THE EPICUREAN," PRINTED IN 11 POINT FOUNT DESIGNED BY HERBERT P. HORNE]

[Illustration: ABERDEEN UNIVERSITY PRESS: PAGE FROM THE "DE IMITATIONE CHRISTI" PRINTED IN THE "EWELL" TYPE DESIGNED BY DOUGLAS COCKERELL FOR MESSRS. METHUEN AND CO.]