Submitting these hints to the judgment and penetration of the sagacious, I enter on the fresh division of this work, and see already Randal Leslie gnawing his lip on the back ground. The German poet observes, that the Cow of Isis is to some the divine symbol of knowledge, to others but the milch cow, only regarded for the pounds of butter she will yield. O, tendency of our age, to look on Isis as the milch cow! O, prostitution of the grandest desires to the basest uses! Gaze on the goddess, Randal Leslie, and get ready thy churn and thy scales. Let us see what the butter will fetch in the market.
A new reign has commenced. There has been a general election; the unpopularity of the Administration has been apparent at the hustings. Audley Egerton, hitherto returned by vast majorities, has barely escaped defeat--thanks to a majority of five. The expenses of his election are said to have been prodigious. "But who can stand against such wealth as Egerton's--no doubt, backed, too, by the Treasury purse?" said the defeated candidate. It is toward the close of October; London is already full; Parliament will meet in less than a fortnight.
In one of the principal apartments of that hotel in which foreigners may discover what is meant by English comfort, and the price which foreigners must pay for it, there sat two persons, side by side, engaged in close conversation. The one was a female, in whose pale, clear complexion and raven hair--in whose eyes, vivid with a power of expression rarely bestowed on the beauties of the north, we recognize Beatrice, Marchesa di Negra. Undeniably handsome as was the Italian lady, her companion, though a man, and far advanced into middle age, was yet more remarkable for personal advantages. There was a strong family likeness between the two; but there was also a striking contrast in air, manner, and all that stamps on the physiognomy the idiosyncrasies of character. There was something of gravity, of earnestness and passion, in Beatrice's countenance when carefully examined; her smile at times might be false, but it was rarely ironical, never cynical. Her gestures, though graceful, were unrestrained and frequent. You could see she was a daughter of the south. Her companion, on the contrary, preserved on the fair smooth face, to which years had given scarcely a line or wrinkle, something that might have passed, at first glance, for the levity and thoughtlessness of a gay and youthful nature; but the smile, though exquisitely polished, took at times the derision of a sneer. In his manners he was as composed and as free from gesture as an Englishman. His hair was of that red brown with which the Italian painters produce such marvelous effects of color; and, if here and there a silver thread gleamed through the locks, it was lost at once amid their luxuriance. His eyes were light, and his complexion, though without much color, was singularly transparent. His beauty, indeed, would have been rather womanly than masculine, but for the height and sinewy spareness of a frame in which muscular strength was rather adorned than concealed by an admirable elegance of proportion. You would never have guessed this man to be an Italian: more likely you would have supposed him a Parisian. He conversed in French, his dress was of French fashion, his mode of thought seemed French. Not that he was like the Frenchman of the present day--an animal, either rude or reserved; but your ideal of the _Marquis_ of the old _régime_--the _roué_ of the Regency.