A Cry in the Night is a 1956 American film-noir dramatic thriller film starring Edmond O'Brien, Brian Donlevy, Natalie Wood and Raymond Burr. The film was produced and narrated by Alan Ladd. A Cry in the Night was directed by Frank Tuttle. The film also has Richard Anderson, Irene Hervey, Anthony Caruso, and Peter Hansen in supporting roles. A Cry in the Night was based on the 1955 novel by Whit Masterson titled All Through the Night.
Plot
Eighteen-year-old Elizabeth “Liz” Taggart has gone to a lovers' lane with her boyfriend, Owen Clark, who has not yet been introduced to her parents. Unbeknownst to them, a childlike peeping Tom named Harold Loftus has been watching them. Loftus knocks Owen unconscious and overpowers Liz, taking her to a shack.
A couple on a motorcycle try to revive Owen with liquor, but they leave when he doesn't wake up. Police arrive and mistakenly conclude that Owen is drunk. At the station, night-shift captain Ed Bates hears the story and realizes that Liz is the daughter of the day-shift captain, Dan Taggart.
While holding Liz prisoner, Loftus kisses her against her will. Loftus' mother, Mabel, phones police when her son does not return home. Liz manages to get hold of Loftus' gun, but she finds it's not loaded.
Taggart is furious with Owen, blaming him for what has happened; but his wife scolds Taggart for intimidating their daughter to the point that she kept her relationship secret. When the police officers find the shack, Owen goes alone, and when he finds Liz’s shoe lying on the ground, he realizes that Liz is present in the shack. Pursued by the police, Harold shoots one policeman and he forces Liz up a stairwell and over catwalks. Owen sees that Loftus is about to ambush Taggart and he saves his life by leaping on Loftus at the last second. Taggart begins beating Loftus, who cries out for his mother.
After Loftus is taken into custody, Taggart invites Owen to accompany Liz back home.
Cast
Edmond O'Brien as Capt. Dan Taggart
Brian Donlevy as Capt. Ed Bates
Natalie Wood as Elizabeth “Liz” Taggart
Raymond Burr as Harold Loftus
Richard Anderson as Owen Clark
Irene Hervey as Helen Taggart
Carol Veazie as Mabel Loftus
Mary Lawrence as Madge Taggart
Anthony Caruso as Tony Chavez
George J. Lewis as George Gerrity
Peter Hansen as Dr. Frazee
Tina Carver as Marie Holzapple
Herb Vigran as Sgt. Jensen
Production
Filming
A Cry in the Night was made for Jaguar, Alan Ladd's production company, despite Ladd not appearing in the cast. It was based on the novel All Through the Night by "Whit Masterson" (Robert Wade and Bill Miller) which had appeared in Cosmopolitan magazine. The New York Times described it as "an intensely compact book... and an unusually rich one" later saying it was one of the best films of the year. The director, Frank Tuttle, had worked with Ladd on a number of occasions, most recently in Hell on Frisco Bay, that had starred Edward G. Robinson who was discussed initially for the lead. The cast included Edmond O'Brien and Richard Anderson, who was Ladd's son-in-law and was borrowed from MGM. Brian Donlevy left a play commitment to appear in the film. Natalie Wood was under contract to Warner Bros. It has been claimed that Wood lobbied to play the role in part of exorcise demons from her own real-life rape. During the making of the film, Natalie Wood had a relationship with Raymond Burr despite Burr's being gay.
Screenplay
According to Turner Classic Movies, a number of changes were made from the novel: The girl in the book was knocked out early on and treated like a piece of furniture from then on. Her boyfriend wanted to help rescue her, but was sidelined by her bullying father, an unsympathetic brute in pursuit of an equally monstrous villain. There just wasn't much there for any actor to grab a hold of. David Dortort took the book's outline and reconfigured its details to make the characters more compelling: the sex fiend was now a repressed mamma's boy. This 32-year old virgin has no other way to spend time with a woman aside from abducting her to a secret lair. And the object of his rapacious attention would no longer be an unconscious object, but a girl equally frustrated by the smothering attention of an overprotective parent, and capable of recognizing some humanity in her attacker. The boyfriend would no longer be relegated to the margins of the story, but would join the father in the hunt, where the two would have plenty of dramatic tension and mutual disrespect crackling between them.