We are preparing for a real ethical relation to our fellow men when we make them conscious that each of them possesses a higher self, a soul, and that they must realise the souls in others.
This relation is, however, manifested in the most curious manner in the man of genius. No one suffers so much as he with the people, and, therefore, for the people, with whom he lives. For, in a certain sense, it is certainly only “by suffering” that a man knows. If compassion is not itself clear, abstractly conceivable or visibly symbolic knowledge, it is, at any rate, the strongest impulse for the acquisition of knowledge. It is only by suffering that the genius understands men. And the genius suffers most because he suffers with and in each and all; but he suffers most through his understanding.
Although I tried to show in an earlier chapter that genius is the factor which primarily elevates man above the animals, and in connection with that fact that it is man alone who has a history (this being explained by the presence in all men of some degree of the quality of genius), I must return to that earlier side of my argument. Genius involves the living actuality of the intelligible subject. History manifests itself only as a social thing, as the “objective spirit,” the individuals as such playing no part in it, being, in fact, non-historical. Here we see the threads of our argument converging. If it be the case, and I do not think that I am wrong, that the timeless, human personality is the necessary condition of every real ethical relation to our fellow men, and if individuality is the necessary preliminary to the collective spirit, then it is clear why the “metaphysical animal” and the “political animal,” the possessor of genius and the maker of history, are one and the same, are humanity. And the old controversy is settled; which comes first, the individual or the community? Both must be equal and simultaneous.
I think that I have proved at every point that genius is simply the higher morality. The great man is not only the truest to himself, the most unforgetful, the one to whom errors and lies are most hateful and intolerable; he is also the most social, at the same time the most self-contained, and the most open man. The genius is altogether a higher form, not merely intellectually, but also morally. In his own person, the genius reveals the idea of mankind. He represents what man is; he is the subject whose object is the whole universe which he makes endure for all time.