Although my earliest notoriety was achieved in very much the same way,--that is, by a series of comic sketches, as many of my admirers no doubt remember,--I soon perceived the unstable character of my reputation. I was at the mercy of the next man who should succeed in inventing a new slang, or a funnier way of spelling. These things, in literature, are like "fancy drinks" among the profane. They tickle the palates of the multitude for a while, but they don't wear like the plain old beverages. I saw very plainly, that much more was to be gained, in the long run, by planting myself--not with a sudden and startling jump, but by a graceful, cautious pirouette--upon a basis of the Moral and the Didactic. I should thus reach a class of slow, but very tough stomachs, which would require ample time to assimilate the food I intended to offer. If this were somewhat crude, that would be no objection whatever: they always mistake their mental gripings for the process of digestion. Why, bless your souls! I have known Tupper's "Proverbial Philosophy" to fill one of them to repletion, for the space of ten years!

I owe this resolution to my natural acuteness of perception, but my success in carrying it into execution was partly the result of luck. The field, now occupied by such a crowd, (I name no names,) was at that time nearly clear; and I managed to shift my costume before the public fairly knew what I was about. I found, indeed, that a combination of the two styles enabled me to retain much of my old audience while acquiring the new. It was like singing a hymn of serious admonition to a lively, rattling tune. One is diverted: there is a present sense of fun, while a gentle feeling of the grave truths inculcated lingers in one's mind afterwards. The pious can find no fault with the matter, nor the profane with the manner. Instead of approaching the moral consciousness of one's readers with stern, lugubrious countenance, and ponderous or lamentable voice, you make your appearance with a smile and a joke, punch the reader playfully in the ribs, and say, as it were, "Ha! ha! I've a good thing to tell you!" Although I have many imitators, some of whom have attained an excellence in the art which may be considered classic, yet I may fairly claim to have originated this branch of literature, and, while it retains its present unbounded popularity, my name cannot wholly perish.

The Atlantic Monthly, Volume 18, No. 107, September, 1866 — Part 80