It is fortunate that the general characteristics of the period render its military history comparatively simple. Of strategy there could be little in an age when men strove to win their ends by hard fighting rather than by skilful operations or the utilizing of extraneous advantages. Tactics were stereotyped by the national organizations of the various peoples. The true interest of the centuries of the early Middle Ages lies in the gradual evolution of new forms of warlike efficiency, which end in the establishment of a military class as the chief factor in war, and the decay among most peoples of the old system which made the tribe arrayed in arms the normal fighting force. Intimately connected with this change was an alteration in arms and equipment, which transformed the outward appearance of war in a manner not less complete. This period of transition may be considered to end when, in the eleventh century, the feudal cavalier established his superiority over all the descriptions of troops which were pitted against him, from the Magyar horse-archers of the East to the Anglo-Danish axe-men of the West. The fight of Hastings, the last attempt made for three centuries by infantry to withstand cavalry, serves to mark the termination of the epoch.

The Teutonic nation of North-Western Europe did not--like the Goths and Lombards--owe their victories to the strength of their mail-clad cavalry. The Franks and Saxons of the sixth and seventh centuries were still infantry. It would appear that the moors of North Germany and Schleswig, and the heaths and marshes of Belgium, were less favourable to the growth of cavalry than the steppes of the Ukraine or the plains of the Danube valley. The Frank, as pictured to us by Sidonius Apollinaris, Procopius, and Agathias, still bore a considerable resemblance to his Sigambrian ancestors. Like them he was destitute of helmet and body-armour; his shield, however, had become a much more effective defence than the wicker framework of the first century: it was a solid oval with a large iron boss and rim. The ‘framea’ had now been superseded by the ‘angon’--‘a dart neither very long nor very short, which can be used against the enemy either by grasping it as a pike or hurling it[16].’ The iron of its head extended far down the shaft; at its ‘neck’ were two barbs, which made its extraction from a wound or a pierced shield almost impossible. The ‘francisca,’ however, was the great weapon of the people from whom it derived its name. It was a single-bladed battle-axe[17], with a heavy head composed of a long blade curved on its outer face and deeply hollowed in the interior. It was carefully weighted, so that it could be used, like an American tomahawk, for hurling at the enemy. The skill with which the Franks discharged this weapon, just before closing with the hostile line, was extraordinary, and its effectiveness made it their favourite arm. A sword and dagger (’scramasax’) completed the normal equipment of the warrior; the last was a broad thrusting blade, 18 inches long, the former a two-edged cutting weapon of about 2½ feet in length.

The Art of War in the Middle Ages A.D. 378-1515 — Part 12