Paper-making is highly developed in the provinces of Novara, Caserta, Milan, Vicenza, Turin, Como, Lucca, Ancona, Genoa, Brescia, Cuneo, Macerata and Salerno. The hand-made paper of Fabriano is especially good.
Furniture-making in different styles is carried on all over Italy, especially as a result of the establishment of industrial schools. Each region produces a special type, Venetia turning out imitations of 16th- and 17th-century styles, Tuscany the 15th-century or cinquecento style, and the Neapolitan provinces the Pompeian style. Furniture and cabinet-making in great factories are carried on particularly in Lombardy and Piedmont. Bent-wood factories have been established in Venetia and Liguria.
A characteristic Italian industry is that of straw-plaiting for hat-making, which is carried on principally in Tuscany, in the district of Fermo, in the Alpine villages of the province of Vicenza, and in some communes of the province of Messina. The plaiting is done by country women, while the hats are made up in factories. Both plaits and hats are largely exported.
Tobacco is entirely a government monopoly; the total amount manufactured in 1902-1903 was 16,599 tons--a fairly constant figure.
The finest glass is made in Tuscany and Venetia; Venetian glass is often coloured and of artistic form.
In the various ceramic arts Italy was once unrivalled, but the ancient tradition for a long time lost its primeval impulse. The works at Vinovo, which had fame in the 18th century, came to an untimely end in 1820; those of Castelli (in the Abruzzi), which have been revived, were supplanted by Charles III.'s establishment at Capodimonte, 1750, which after producing articles of surprising execution was closed before the end of the century. The first place now belongs to the Della Doccia works at Florence. Founded in 1735 by the marquis Carlo Ginori, they maintained a reputation of the very highest kind down to about 1860; but since then they have not kept pace with their younger rivals in other lands. They still, however, are commercially successful. Other cities where the ceramic industries keep their ground are Pesaro, Gubbio, Faenza (whose name long ago became the distinctive term for the finer kind of potter's work in France, faïence), Savona and Albissola, Turin, Mondovi, Cuneo, Castellamonte, Milan, Brescia, Sassuolo, Imola, Rimini, Perugia, Castelli, &c. In all these the older styles, by which these places became famous in the 16th-18th centuries, have been revived. It is estimated that the total production of the finer wares amounts on the average to £400,000 per annum. The ruder branches of the art--the making of tiles and common wares--are pretty generally diffused.