Sepia was a photojournalistic magazine featuring articles based primarily on achievements of African Americans. The magazine was founded in 1946 as Negro Achievements by Horace J. Blackwell, an African-American clothing merchant of Fort Worth, Texas. He had already founded The World's Messenger in 1942.
George Levitan, a Jewish American and plumbing merchant in Fort Worth, bought Blackwell's magazines and Good Publishing Company (aka Sepia Publishing) in 1950. He changed the magazine's name gradually; in 1954 he named it Sepia, and published it until his death in 1976. He changed the name of Messenger to Bronze Thrills and had success with that for some time as well, also publishing black-audience magazines Hep and Jive.
After Levitan's death, Sepia was bought by Beatrice Pringle, who had been part of Blackwell's founding editorial team. She continued it until 1983, closing it despite respectable circulation. It was always overshadowed by Ebony, founded and published in Chicago.
History
In the postwar environment, when the South was still legally segregated, the publishing history of Sepia, based in Fort Worth, Texas reflects other changes. It was founded as Negro Achievements by Horace J. Blackwell, an African-American clothing merchant. His editorial team relied on director Adelle Martin Jackson, who had advanced from starting as a stenographer, and Beatrice Pringle. This was the beginning of the magazine's tradition of having women in "important editorial positions."
Blackwell had already started the romance-True Confessions-type magazine, The World's Messenger, in 1942. His innovation was to feature stories written in the dialect of Southern working-class African Americans, providing them with a familiar style.
After Blackwell's death, his magazines and Good Publishing Company were bought by George Levitan, a Jewish-American plumbing merchant born in Michigan. He also published other titles for the black market. After his death in 1976, Sepia was bought by Beatrice Pringle, returning it to black ownership but under a woman publisher. All three publishers were outside the majority white Anglo-Saxon males who occupied positions comparable positions with mainstream magazines. But they developed a magazine to appeal to the African-American market, which was receiving new attention in the postwar period, and had considerable success for decades, building distribution to a national audience. While Sepia did not equal the newsstand sales of Levitan's true confessions-type magazine The World's Messenger (renamed as Bronze Thrills), it was the most successful magazine to compete with Ebony for nearly four decades, building a base of national advertisers.
Levitan made changes gradually to Negro Achievements, keeping its name until 1953, when he changed it to Sepia Record. In 1954 he changed it again to simply Sepia.
Major Elvis Presley controversy
According to African-American author Joyce Rochelle Vaughn, in the preface of her book "Thirty Pieces of Silver: The Betrayal of Elvis Presley", an aunt who raised her had told her to never listen to Elvis Presley’s music because "Sepia" magazine had run an article in early 1957 in which he was quoted saying that the “only thing Negroes can do for me is buy my records and shine my shoes.” She then decided, forty years later, to undertake a full study and complete unmasking of falsely reported news surrounding his life and career.
According to Ms. Vaughn, the truth about the invented slur lay in white Americans making money exploiting statements and falsifying others, because so many whites during the era openly made racist remarks against black people. As such, when black radio stations started to play Elvis’ music and his popularity grew in the black community, the slur was invented.
Jet sent its most prestigious writer, the late Louis Robinson, to the set of "Jailhouse Rock" to raise the matter with the then 22-year-old Presley. After additionally interviewing African-American musicians like B.B. King, who knew Presley since his teen years, Robinson cleared him of all charges. Even so, the damage was done and the slur continuing to be utilized as late as the first two decades of the 21st century.
Editorial changes
Adelle Jackson continued as editorial director of Sepia under Levitan, and Beatrice Pringle also continued with the magazine. Sepia focused on various aspects of African American culture, including prominent leaders of churches, civil rights, popular music, and education. With the goal of fostering leadership, it published serious articles on the development of black institutions, including colleges and universities.