"In winter, just before Lent, the great festival in honour of the Dead is celebrated, at which every one solemnizes the memory of departed relations and friends, and no sooner does Palm Sunday arrive than the people join in commemorating the renovation of life.
"On the preceding Saturday the maidens assemble on a hill, and recite poems on the resurrection of Lazarus; and on Sunday, before sunrise, they meet at the place where they draw water and dance their country dance (kolllo), chanting a song, which relates how the water becomes dull by the antlers of a stag, and bright by his eye." [23]
On St. George's Day, April 23rd (Dyourdyev Dan), long before dawn, all the members of a Serbian family rise and take a bath in the water, in which a number of herbs and flowers--each possessing its own peculiar signification--have been cast before sunset the preceding day. He who fails to get up in good time, and whom the sun surprises in bed, is said to have fallen in disgrace with St. George, and he will consequently have little or no luck in any of his undertakings for the next twelve months. This rite is taken as a sign that the Serbian peasants yield to the many influences of newly awakened nature.
It will be seen by anyone who studies the matter that each season in turn prompts the Serbians, as it must prompt any simple primitive people, to observe rites pointing to the mysterious relation in which man finds that he stands to nature.
CHAPTER III: SERBIAN NATIONAL EPIC POETRY
That the Serbian people--as a distinct Slav and Christian nationality--did not succumb altogether to the Ottoman oppressor; that through nearly five centuries of subjection to the Turk the Southern Slavs retained a deep consciousness of their national ideals, is due in a very large measure to the Serbian national poetry, which has kept alive in the hearts of the Balkan Christians deep hatred of the Turk, and has given birth, among the oppressed Slavs, to the sentiment of a common misfortune and led to the possibility of a collective effort which issued in the defeat of the Turk on the battlefields of Koumanovo, Monastir, Prilip, Prizrend, Kirk-Kilisse, and Scutari.
Who has written those poems? We might as well ask, who is the author of the Iliad and the Odyssey? If Homer be the collective pseudonym of an entire cycle of Hellenic national bards, 'The Serbian people' is that of the national bards who chanted those Serbian epic poems during the centuries, and to whom it was nothing that their names should be attached to them. The task of the learned Diascevastes of Pisistrate's epoch, which they performed with such ability in the old Hellade, has been done in Serbia by a self-taught peasant, the famous Vouk Stephanovitch-Karadgitch, in the beginning of the nineteenth century. Vouk's first collection of Serbian national poems, which he wrote down as he heard them from the lips of the gousslari (i.e. Serbian national bards), was published for the first time at Vienna in 1814, and was not only eagerly read throughout Serbia and in the literary circles of Austria and Germany, but also in other parts of Europe. Goethe himself translated one of the ballads, and his example was quickly followed by others.