I am now upon the _causse_ and already see the castellated outworks of the 'Devil's City.' The city itself lies in a hollow, and I have not yet reached it. The mule-path fortunately leads in the right direction. On my way multitudes of very dark, almost black, butterflies flutter up from the short turf, which is flecked with the gold of yellow everlastings. Here and there a solitary round-headed allium nods from the top of its long leafless stem. I walk over the shining dark leaves and the scarlet beads of the bearberry, and am presently roaming in the fantastic streets of the dolomitic city. To say streets is scarcely an exaggeration, for these jutting rocks have in places almost the regularity of the menhirs of Carnac. But the megalithic monuments of Brittany are like arrow-heads compared to the stones of Montpellier-le-Vieux. In placing these and in giving them that mimicry of familiar forms at times so startling to human eyes, Nature has been the sole engineer and artist. There is but one theory by which the working cause of the existing phenomena can be brought to our understanding. It is that these honeycombed and fantastically-shaped masses of dolomite or magnesian limestone represent the skeletons of vaster rocks whose less resisting parts were washed away by the wearing action of the sea. Some are formed of blocks of varying size, lying one upon another, with a pinnacle or dome at the summit; others show no trace of stratification, but are integral rocks which in many cases appear to have been cut away and fashioned to the mocking likeness of some animal form by a demon statuary. Now it is a colossal owl, now a frightful head that may be human or devilish, now some inanimate shape such as a prodigious wineglass which fixes the eye and excites the fancy. A mass of rock on which can be seen half sitting, half reclining, a monstrous stony shape with head hideously jovial, has been named the 'Devil's Chair.'
I saw this spot under circumstances very favourable to the full reception of its fantastic, mysterious, and gloomy influence. It was late enough in the afternoon for the feeling of evening and of the coming night to be in the air, especially here, where dark pines stood in the mimic streets and squares like cypresses in a cemetery. The awful mournfulness of the shadowy groves was deepened by my own solitariness, for although surrounded by frightful shapes that caricatured humanity, mine was the only human form that moved amongst the dumb but fiend-like rocks and the pines, which moaned and whispered like unhappy ghosts. I was alone in the 'Devil's City,' and perchance with the devil himself. When a hawk flew over and screamed it was welcome, although there was nothing cheerful in its cry. There could be no severer trial perhaps to the nerves of a superstitious person than to take a solitary walk by moonlight through Montpellier-le-Vieux. The sense of the weird and the horrible would give him too many cold shudders for him to enjoy the grandeur and the strangeness of the scene.