"It is good to be a priestess, Yeteve; you should have stayed there."

"But I did so love the little hut by the causeway. And I loved the beggar, and they let me go."

The Fair God — Part 80

"And now you wish to sell yourself? I want slaves, but not such as you, Yeteve. I want those who can work,--slaves whom the lash will hurt, but not kill. Besides, you are worth more cocoa than I can spare. Keep back your tears. I will do better than buy you myself. I will sell you, and to-night. Here in my house you shall dance for the bidders. I know them all. He shall be brave and rich and clever who buys,--clever and brave, and the owner of a palace, full of bread for the beggar, and love for Yeteve."

The Fair God — Part 80

Clapping his hands, a slave appeared at the door.

The Fair God — Part 80

"Take yon beggar, and give him to eat. Lead him,--he is blind. Come, child, follow me."

He summoned his servants, and bade them publish the sale in every apartment; then he led the girl to the hall used for the exhibition of his own dancing-girls. It was roomy and finely lighted; the floor was of polished marble; a blue drop-curtain extended across the northern end, in front of which were rows of stools, handsomely cushioned, for spectators. Music, measured for the dance, greeted the poor priestess, and had a magical effect upon her; her eyes brightened, a smile played about her mouth. Never was the chamber of the rich Chalcan graced by a creature fairer or more devoted.

"A priestess of the dance needs no teaching from me," said Xoli, patting her flushed cheek. "Get ready; they are coming. Beware of the marble; and when I clap my hands, begin."

She looked around the hall once; not a point escaped her. Springing to the great curtain, and throwing her robe away, she stood before it in her simple attire; and no studied effect of art could have been more beautiful; motionless and lovely, against the relief of the blue background, she seemed actually _spirituelle_.

Upon the announcement of the auction, the patrons of the house hurried to the scene. Voluntary renunciation of freedom was common enough among the poorer classes in Tenochtitlan, but a transaction of the kind under the auspices of the rich broker was a novelty; so that curiosity and expectation ran high. The nobles, as they arrived, occupied the space in front of the curtain, or seated themselves, marvelling at the expression of her countenance.