It was then determined that “they would have him to rights” the next time he came to gamble; for every one would set at him, and win his money, and then “turn up,” as he had done.
The party was then broken up, the players separating to wait for the new-comers that would be sure to pour in after dinner.
On a good attractive night, the rush of costers to the threepenny gallery of the Coburg (better known as “the Vic”) is peculiar and almost awful.
The long zig-zag staircase that leads to the pay box is crowded to suffocation at least an hour before the theatre is opened; but, on the occasion of a piece with a good murder in it, the crowd will frequently collect as early as three o’clock in the afternoon. Lads stand upon the broad wooden bannisters about 50 feet from the ground, and jump on each others’ backs, or adopt any expedient they can think of to obtain a good place.
The walls of the well-staircase having a remarkably fine echo, and the wooden floor of the steps serving as a sounding board, the shouting, whistling, and quarrelling of the impatient young costers is increased tenfold. If, as sometimes happens, a song with a chorus is started, the ears positively ache with the din, and when the chant has finished it seems as though a sudden silence had fallen on the people. To the centre of the road, and all round the door, the mob is in a ferment of excitement, and no sooner is the money-taker at his post than the most frightful rush takes place, every one heaving with his shoulder at the back of the person immediately in front of him. The girls shriek, men shout, and a nervous fear is felt lest the massive staircase should fall in with the weight of the throng, as it lately did with the most terrible results. If a hat tumbles from the top of the staircase, a hundred hands snatch at it as it descends. When it is caught a voice roars above the tumult, “All right, Bill, I’ve got it”--for they all seem to know one another--“Keep us a pitch and I’ll bring it.”
To any one unaccustomed to be pressed flat it would be impossible to enter with the mob. To see the sight in the gallery it is better to wait until the first piece is over. The ham-sandwich men and pig-trotter women will give you notice when the time is come, for with the first clatter of the descending footsteps they commence their cries.