The new bit of Paddington at Kensal Green requires little comment; chapels, schools, and St. John's Church break the monotony of dreary streets. In fact, all this part of northern Paddington, though varying in the width of streets and the class of its houses, contains nothing of any interest. We must now return southward and eastward to what is known as Church Ward, which contains nearly all that is most interesting of old Paddington. The old parish church, named St. Mary's, stands to the north of the Harrow Road. It is a small building of earth-brick in the form of a Maltese cross, with a cupola in the centre, supposed to have been designed after a Greek model. The side fronting the road has a portico, and on the south and west walls there are curious niches formed by bricks. The interior is heavy and ugly, with a massive circular gallery running round three sides. The pulpit stands right over the central aisle, supported by the steps on one side and the reading-desk on the other, making thus a curious arch under which everyone must pass to reach the Communion rails; it is of mahogany which has been painted, and the figures of Dutch oak on the panels are supposed to be Flemish work. The church holds about 800 persons. There are many monuments and tablets on the walls, but only two worthy of note: one in memory of Mrs. Siddons, who is buried in the churchyard, on the north side of the chancel; one to Nollekens the sculptor, who died 1823, on the south side of the chancel. This is a bas-relief of a man seated by the side of a pallet or bench, on which rests a woman holding a baby; behind, an angel, representing Religion, points upward. The apparently irrelevant subject excited much comment until an explanation was suggested. In the Howard Chapel of Wetherall Church, in Cumberland, there is a sculptured monument in memory of one of the ladies of the Howard family who died in childbirth. The bas-relief over Nollekens' tomb is the facsimile of this sculpture, with the exception of the male figure in the foreground. The sculpture was executed by Nollekens himself, and is supposed to be one of his masterpieces. The monument to Nollekens is, therefore, obviously representative of the sculptor himself executing this great work. The present church was built in 1791, and stands on the site of a pond. Its predecessor was dedicated to St. James, a saint to whom the present parish church has returned, and stood a little to the northward on the site of the present right of way.