It may be difficult, upon stating this contrast between the system of ancient and modern fable, to assign, among nations, equally rude, equally addicted to war, and equally fond of military glory, the origin of apprehensions on the point of honour, so different, and so opposite. The hero of Greek poetry proceeds on the maxims of animosity and hostile passion. His maxims in war are like those which prevail in the woods of America. They require him to be brave, but they allow him to practise against his enemy every sort of deception. The hero of modern romance professes a contempt of stratagem, as well as of danger, and unites in the same person, characters and dispositions seemingly opposite; ferocity with gentleness, and the love of blood with sentiments of tenderness and pity.
The system of chivalry, when completely formed, proceeded on a marvellous respect and veneration to the fair sex, on forms of combat established, and on a supposed junction of the heroic and sanctified character. The formalities of the duel, and a kind of judicial challenge, were known among the ancient Celtic nations of Europe. [Footnote: Liv., lib. 28. c. 21.] The Germans, even in their native forests, paid a kind of devotion to the female sex. The Christian religion enjoined meekness and compassion to barbarous ages. These different principles combined together, may have served as the foundation of a system, in which courage was directed by religion and love, and the warlike and gentle were united together. When the characters of the hero and the saint were mixed, the mild spirit of Christianity, though often turned into venom by the bigotry of opposite parties, though it could not always subdue the ferocity of the warrior, nor suppress the admiration of courage and force, may have confirmed the apprehensions of men in what was to be held meritorious and splendid in the conduct of their quarrels.
In the early and traditionary history of the Greeks and the Romans, rapes were assigned as the most frequent occasions of war; and the sexes were, no doubt, at all times, equally important to each other. The enthusiasm of love is most powerful in the neighbourhood of Asia and Africa; and beauty, as a possession, was probably more valued by the countrymen of Homer, than it was by those of Amadis de Gaul, or by the authors of modern gallantry. "What wonder," says the old Priam, when Helen appeared, "that nations should contend for the possession of so much beauty?" This beauty, indeed, was possessed by different lovers; a subject on which the modern hero had many refinements, and seemed to soar in the clouds. He adored at a respectful distance, and employed his valour to captivate the admiration, not to gain the possession of his mistress. A cold and unconquerable chastity was set up, as an idol to be worshipped, in the toils, the sufferings, and the combats of the hero and the lover.