Of the younger generation we have to mention Coronaro, who wrote "La creola," and who is now professor of composition at the conservatory in Milan. His younger brother, living in Vicenza, was the winner in a late competition for the Sonzogno prizes, which, as everybody knows, brought Mascagni from obscurity to celebrity.
Alfredo Catalani is one of the most gifted and remarkable Italian composers of this period. His musical and general culture is refined in the highest degree. He was a pupil, first, of Bazin in Paris, and afterward, strange coincidence of names, of Bazzini, in Milan. He gave his operas chiefly at Milan (La Scala) or Turin (Teatro Regio). The best among them are "Dejanice" and "Wally," which, however, were not very popular with the public. But Catalani is by far the best musician among all the living Italian opera composers.
Alfredo Smareglia, a Dalmatian by birth, and a pupil of the conservatory at Milan, excited great expectations by the production at this institution of a symphonic poem, "Leonora," founded upon Burger's ballad. He subsequently wrote the operas "Preciosa" and "Il vassalo di Szigeth," the latter of which was given successfully at the opera house at Vienna, and afterwards at the Metropolitan in New York. Smareglia, who is as industrious as he is highly talented, is now writing a new opera to be given at Vienna.
Alberto Franchetti, a grandson of the rich Jewish banker Rothschild, is a composer of unusual talent and with daring, striking ideas, which are not always successfully realized. His _curriculum vitæ_ reminds one very much of that of Meyerbeer. Educated in music at the conservatory at Dresden, under the celebrated Dræseke, he soon distinguished himself by the production of a symphony in E, which has been performed in many prominent orchestral concerts. After this he wrote the opera "Asrael," a curious mixture, an empirical Italian salad, composed of all that has been and is. He shows, however, in this work a decided talent for the stage, though the symphonic element is rather too prominent. This opera, also, has been given at the Metropolitan opera house in New York. Chiefly influenced by the mannerisms of Wagner, without fully catching his spirit, and never forgetting his severe German musical education, Franchetti is an original figure in the modern history of Italian music. He received the honorable commission of the municipality of Genoa to compose the music to the opera "Christopher Columbus," which was performed at the Teatro Carlo Felice in connection with the Columbian centennial festivities and won a great success.