Beyond all visible things, say they, is the ultimate Power, Dusdachtschish, invisible, remote. No worship and no offerings are tendered him other than that certain pillars are erected and decked with flowers and garlands in his honour. Their Jupiter is Kutka. It was said of him that he had married all creatures and was the common father of all. It was he who made land and water in their present forms and invented all arts. To him the visible world owed its existence, though not its origin. Many discreditable stories were told of him, and he is as much cursed for the evils of life as praised for its advantages. It is he who finds souls for all existences, and preserves their spirits when the body decays.
We must not be blinded to the true significance of such myths by the often material, coarse, and vulgar images under which they are presented. Indeed, if they are properly comprehended, we may explain and redeem from obloquy much in the heathen legends which Arnobius[200] and other fathers of the Church denounced with bitter and vehement imprecation. We should consider whether they are not naïve symbols, chosen, with a crude innocence of evil, to convey objectively the idea of the eternally renewed life of nature.
This reflection will explain to us the true significance of those objects from ancient and savage cults which are preserved in the locked rooms of museums, in their secret drawers and curtained cases. They are too apt to be construed as proofs of impurity and degradation. Such an interpretation would be sadly at variance with the fact.
There were, indeed, and often, licentious rites, deliberate indecencies, practised under the cloak of religion by unscrupulous rulers and debased priests. These were alienations and prostitutions of religion. In the genuine and primitive faiths, the symbols of the reproduction and transmission of life were frequent and public, and were not associated with thoughts or acts of debauchery. They were visible emblems of that Spirit of Life which, beyond all else, was the unifying instinct of religious expression.
This instinct led man everywhere to call upon God as Father, as parent of whatever is, “Pan-genitor,” as he is styled in the Orphic hymns. In every race, in all ages, have men’s prayers ascended to “Our Father who art in heaven.”