to have inherited the usage directly from the Babylonians.
However that may be, it is quite certain that in those days the brides of Venice were all married on the thirty-first of January, the anniversary of the translation of
Saint Mark’s body, in the church of San Pietro d’Olivolo, which was always the cathedral, and which now became the scene of one of the strangest and most romantic events in the history of any nation, rivalled, but certainly not surpassed, by the half-mythic rape of the Sabines in the Forum.
In old Venice the women were treated very much as they have always been in the East. They were naturally dignified and reserved, or enjoyed that reputation, but the men were jealous, and would not trust in anything so inward and spiritual as good qualities. They held that the equilibrium of feminine virtue, though always admirable, is generally of the kind described in mechanics as unstable; in other words, that it resembles the balance of a pyramid when poised on its apex rather than its security when established on its base. They therefore watched their wives and daughters and kept them at home a great deal, insisting that they should veil themselves when they went to church, and on the rare occasions when they were allowed to go elsewhere. The maidens wore veils of pure white, but the married women were allowed colours. The only exception to the rule of the veil was made on the days of the ‘Sagre,’ the feasts of the patron saints in the different parishes of the city; then even the girls were allowed to wear their beautiful hair floating on their shoulders, and confined only by chaplets of flowers. Those were the only times when the men had a chance of seeing them to judge of their beauty, and perhaps to choose a wife amongst them, and they made the most of it; we may even suppose that the custom had been originally introduced as a necessary one if young men and maidens were ever to be betrothed at all.
One sight sufficed, perhaps, and a glance or two exchanged as the long processions of men and women went up into the churches or came out again; and after that, when the nights were fine, the youth took his lute and went and made music under the chosen one’s window. But she never looked out, nor showed him so much as the tips of her white fingers in the moonlight; that would have been unmaidenly and bold. If her heart softened to his appealing song, a single ray of light from between the close-drawn shutters was answer enough; if not, all remained dark, while the unhappy lover sang his heart out to the silent lagoon. But being reassured by the friendly ray, not once but many times, the aspirant went to the girl’s father and begged permission to make her his ‘novice’--that meant his betrothed--until the next feast of blessed Saint Mark.