For thirty years Daudet, now famous, continued to work, though only intermittently. He published, with increasing success, _Le Petit Chose_ (1868), _Tartarin de Tarascon_ (1872), _Fromont jeune et Risler aîné_ (1874), _Jack_ (1876), _Le Nabab_ (1877), _Les Rois en exil_ (1879), _Numa Roumestan_ (1881), _L'Évangéliste_ (1883), _Sapho_ (1884), _Tartarin sur les Alpes_ (1885), _La Belle Nivernaise_ (1886), _L'Immortel_ (1888), _Port-Tarascon_ (1890), _Rose et Ninette_ (1892), _La Petite Paroisse (1895)_, and _Le Trésor d'Arlatan_ (1897). His last novel, _Soutien de famille_, appeared after his death. The best known works of his earlier years, besides _Les Amoureuses_, are his _Lettres de mon moulin_ (1869) and _Les Contes du lundi_ (1873).
Daudet remained all his life the delicate, fragile Petit Chose. Ten years before his death--which was tragic in its suddenness when it did come--a severe illness overtook him, and slowly but surely his iron will broke down under the physical and mental strain which its ravages had brought on him. One evening, sitting at supper with his family, he had scarcely begun to eat when he fell from his chair. His wife and son ran to his assistance, but saw at once that the end had come. He died in Paris on December 18, 1897.
Daudet was a thorough _Méridional_. Born a Provençal, he never lost his early affection for the South. Impulsive, fiery in temper, and rather given to exaggeration, he possessed beneath a cheerful and handsome exterior a kind, sympathetic heart, and was generous to a fault. Having known what it was to suffer extreme poverty and feel the pangs of hunger, he was full of pity for those who had to face the stern realities of life. He was a close and accurate observer of humanity. He describes not only what he _felt_ but what he _saw_. When a youth he always carried a notebook in which he would write down any little object of interest that came across his path. His characters, however, are not mere photographs, but pictures of real men and women painted with the infinite care of a skilled artist. His personality permeates all he wrote, and in this lies his charm.
In presenting this delightful story of a writer who is probably the most widely read in France to-day, the Editor has felt reluctantly compelled to abridge the original text by about fifty pages, so as to bring it within easy scope of the class-room; but in spite of these omissions he confidently hopes that the book will not fail to charm all the students who read it.