The desert about Tehran is renowned for the beauty of its gardens. The Shah possesses several, others belong to his sons, others to powerful ministers and wealthy merchants. Sometimes across the gateways a chain is drawn, denoting that the garden is Bast--sanctuary--and into these the European may not go; but places of refuge for the hunted criminal are, fortunately, few, and generally the garden is open to all comers.

Perhaps the most beautiful of all is one which belongs to the Shah, and which lies under a rocky hillock crowned with the walls and towers of a palace. We found ourselves at its gate one evening, after an aimless canter across the desert, and determined to enter. The loiterers in the gateway let us pass through unchallenged. We crossed the little entrance-court and came into a long dark avenue, fountains down the middle of it, and flower-beds, in which the plants were pale and meagre for want of light; roses, the pink flowers which scent the rosewater, and briars, a froth of white and yellow bloom, growing along its edges in spite of the deep shade of the plane-trees. Every tiny rill of water was fringed with violet leaves--you can imagine how in the spring the scent of the violets greets you out in the desert when you are still far away, like a hospitable friend coming open-armed down his steps to welcome you. We wandered along intersecting avenues, until we came to one broader than the rest, at the end of which stood a little house. Tiny streams flowed round and about it, flowed under its walls and into its rooms; fountains splashed ceaselessly in front of it, a soft light wind swayed the heavy folds of the patterned curtains hanging half-way down across its deep balconies. The little dwelling looked like a fairy palace, jewelled with coloured tiles, unreal and fantastic, built half out of the ripple of water, and half out of the shadowy floating of its great curtains. Two or three steps and a narrow passage, and we were in the central room--such a room to lie and dream in through the hot summer days!--tiled with blue, in the middle an overflowing fountain, windows on either side opening down to the ground, the vaulted ceiling and the alcoved walls set with a mosaic of looking-glass, in whose diamonds and crescents the blue of the tiles and the spray of the tossing waters were reflected.

Safar Nameh, Persian Pictures — Part 11