Decorative art, development of, in the nineteenth century, 2 _et seq._; modern revival of, 15 _et seq._; relation of the easel picture to, 265.
Dress, absence of beauty in modern, 81–83; progress of taste in, 171–191; influence of the pre-Raphaelites on, 175; types of artistic, 177; types of children’s, 179; types of working, 181; modern and mediaeval, 185, 187.
Dunkley, Miss L. M., designs for embroidery by, 45, 46.
Eastlake, C. L., his “Hints on Household Taste,” 17.
Egyptian hieroglyphics, 89, 90, 103; decorative art, 112.
Genoa, Doria Palace, gesso decorations in, 248.
Gesso, origin of, 247; fine examples of, 248; methods of working in, 249; Gesso Duro, 249; “Denoline,” 252; system of modelling in, 257.
Gimson, Ernest W., cottage designed by, 152, 153, 155.
Greek, ornament, 104–107, 215; drapery, 173.
Harvey, Alex. W., cottages designed by, 123, 148.
Holland Park, 1a, interior of, 131; gesso decorations in, 258–261.
Home Arts and Industries Association, the, 19.
Lacey, Miss C. M., Heraldic studies by, 47.
Letchworth, Garden City, cottage at, 148–151.
Lucas van Leyden’s “Annunciation,” 144, 145.
Manchester, frescoes in the Town Hall in, 120.
Mantua, model of the room of Isabella d’Este at, 240.
Martin, A. E., architectural design by, 42.
Morris, William, 15, 20, 24, 156, 162, 175, 272. “Municipal Journal,” the (New York), 81.
National Association for the Advancement of Art in Relation to Industry, the, 19.
New York, movement in favour of public beauty in, 81.
Ornament and its meaning, 102–109; analogy of to music, 102; origins of, 103; two sources of meaning in, 106.
Palermo, Cappella Reale, decoration of, 241, 242, 243.
Paris Exhibition, the English House at the, 162.
Pictures, background for, 142, 144; relation of, to decorative art, 265–272.
Pinturicchio’s decoration of the Appartamenti Borgia, 238, 239, 240, 248.
Pre-Raphaelite movement, the, 12, 14, 15, 175.
Richard II, figure of, in the Wilton picture, 219.
Rome, St. Peter’s, use of gilding in, 246.
Royal College of Art, specimens of students’ work, 37–67.
Sevenoaks, Combe Bank, decorations at, 159.
Shea, J. R., cabinet designed by, 59; wood carving by, 61.
South Kensington Museum, formation and influence of, 16.
Temple Bar, suggestion for temporary gatehouse at, 197.