Shortly after we landed in Persia we came unexpectedly upon the story of the martyrdom. In the main street of Kasvin, up which we were strolling while our horses were being changed (for we were on our way to Tehran), we found a crowd assembled under the plane-trees. We craned over the shoulders of Persian peasants, and saw in the centre of the circle a group of players, some in armour, some robed in long black garments, who were acting a passion play, of which Hussein was the hero. One was mounted on a horse which, at his entries and exits, he was obliged to force through the lines of people which were the only wings of his theatre; but except for the occasional scuffle he caused among the audience, there was little action in the piece--or, at least, in the part of it which we witnessed--for the players confined themselves to passing silently in and out, pausing for a moment in the empty space which represented the stage, while a mollah, mounted in a sort of pulpit, read aloud the incidents they were supposed to be enacting.

But with the beginning of Muharram the latent religious excitement of the East broke loose. Every evening at dusk the wailing cries of the mourners filled the stillness, rising and falling with melancholy persistence all through the night, until dawn sent sorrow-stricken believers to bed, and caused sleepless unbelievers to turn with a sigh of relief upon their pillows. At last the tenth day of Muharram came--a day of deep significance to all Mohammedans, since it witnessed the creation of Adam and Eve, of heaven and hell, of life and death; but to the Shiahs of tenfold deeper moment, for on it Hussein’s martyrdom was accomplished.

Safar Nameh, Persian Pictures — Part 17

Early in the afternoon sounds of mourning rose from the village. The inhabitants formed themselves into procession, and passed up the shady outlying avenues, and along the strip of desert which led back into the principal street--a wild and savage band whose grief was a strange tribute to the chivalrous hero whose bones have been resting for twelve centuries in the Plain of Kerbela. But tribute of a kind it was. Many brave men have probably suffered greater tortures than Hussein’s, and borne them with as admirable a fortitude; but he stands among the few to whom that earthly immortality has been awarded which is acknowledged to be the best gift the capricious world holds in her hands. If he shared in the passionate desire to be remembered which assails every man on the threshold of forgetfulness, it was not in vain that he died pierced with a hundred spears; and though his funeral obsequies were brief twelve hundred years ago, the sound of them has echoed down the centuries with eternal reverberation until to-day.

Safar Nameh, Persian Pictures — Part 17