He responded, without a moment's hesitation, to every advance. No longer restrained by Elena's complete dominion over him, his energies returned to their original state of disorder. He passed from one liaison to another with incredible frivolity, carrying on several at the same time, and weaving without scruple a great net of deceptions and lies, in which to catch as much prey as possible. The habit of duplicity undermined his conscience, but one instinct remained alive, implacably alive in him--the repugnance at all this which attracted without holding him captive. His will, as useless to him now as a sword of indifferently tempered steel, hung as if at the side of an inebriated or paralysed man.

One evening, at the Dolcebuonos', when he had outstayed the rest of the guests in the drawing-room, full of flowers and still vibrating with a _Cachoucha_ of Raff's, he had spoken of love to Bianca. He did it almost without thinking, attracted instinctively by the reflected charm of her being a friend of Elena's. Maybe too, that the little germ of sympathy sown in his heart by her kindly championship at the dinner in the Doria palace was now bearing fruit. Who can say by what mysterious process some contact--whether spiritual or material--- between a man and a woman may generate and nourish in them a sentiment which, latent and unsuspected for long, may suddenly wake to life through unforeseen circumstances? It is the same phenomenon so often encountered in our mental world, when the germ of an idea or a shadowy fancy suddenly reappears before us after a long interval of unconscious development as a finished picture, a complex thought. The same law governs all the varying activities of our being; and the activities of which we are conscious form but a small part of the whole.

The Child of Pleasure — Part 53

Donna Bianca Dolcebuono was the ideal type of Florentine beauty, such as Ghirlandajo has given us in the portrait of Giovanna Tornabuoni at Santa Maria Novella. Her face was fair and oval, with a broad white brow, a sweet and expressive mouth, a nose a trifle _retroussé_ and eyes of that deep hazel so dear to Firenzuola. She was fond of wearing her hair parted and arranged in full puffs half way over her cheeks in the quaint old style. Her name suited her admirably for into the artificial life of fashionable society she brought a great natural sweetness of temper, much indulgence for the failings of others, courtesy accorded impartially to high and low, and a most melodious voice.

The Child of Pleasure — Part 53