One arrangement that they have here in Paris will be a good one, even when we cease to have any very poor people, and, please Heaven, also to have any very rich. These are the _Crèches_,--houses where poor women leave their children to be nursed during the day while they are at work.

I must mention that the superintendent of the washing establishment observed, with a legitimate triumph, that it had been built without giving a single dinner or printing a single puff,--an extraordinary thing, indeed, for England!

At Home And Abroad — Part 140

To turn to something a little gayer,--the embroidery on this tattered coat of civilized life,--I went into only two theatres; one the Old Drury, once the scene of great glories, now of execrable music and more execrable acting. If anything can be invented more excruciating than an English opera, such as was the fashion at the time I was in London, I am sure no sin of mine deserves the punishment of bearing it.

At Home And Abroad — Part 140

At the Sadler's Wells theatre I saw a play which I had much admired in reading it, but found still better in actual representation; indeed, it seems to me there can be no better acting play: this is "The Patrician's Daughter," by J.W. Marston. The movement is rapid, yet clear and free; the dialogue natural, dignified, and flowing; the characters marked with few, but distinct strokes. Where the tone of discourse rises with manly sentiment or passion, the audience applauded with bursts of generous feeling that gave me great pleasure, for this play is one that, in its scope and meaning, marks the new era in England; it is full of an experience which is inevitable to a man of talent there, and is harbinger of the day when the noblest commoner shall be the only noble possible in England.

At Home And Abroad — Part 140

But how different all this acting to what I find in France! Here the theatre is living; you see something really good, and good throughout. Not one touch of that stage strut and vulgar bombast of tone, which the English actor fancies indispensable to scenic illusion, is tolerated here. For the first time in my life I saw something represented in a style uniformly good, and should have found sufficient proof, if I had needed any, that all men will prefer what is good to what is bad, if only a fair opportunity for choice be allowed. When I came here, my first thought was to go and see Mademoiselle Rachel. I was sure that in her I should find a true genius, absolutely the diamond, and so it proved. I went to see her seven or eight times, always in parts that required great force of soul and purity of taste even to conceive them, and only once had reason to find fault with her. On one single occasion I saw her violate the harmony of the character to produce effect at a particular moment; but almost invariably I found her a true artist, worthy Greece, and worthy at many moments to have her conceptions immortalized in marble.