Though born in Runcorn, and resident whilst a very young child in Liverpool, Hall Caine’s earliest recollections are of the Isle of Man, of his grandmother’s cottage “Ballavolley,” Ballaugh, in the north of Manxland. It speaks much for his early development that even as a little child he loved the island which, in future years, was to be dearer to him than any spot on earth. “There is no place in America, Italy, Russia, Iceland, Morocco, or any other country I have visited, that is quite so beautiful as my own little island in its own little way,” he said to me only a month or two ago. And what he thinks to-day he has always thought.
There is a subtle, elusive charm about the Isle of Man which is obvious to the least observant of men, but there are few who are able to define its particular character, or who are able to define from what source it is derived. Once become a lover of that narrow stretch of land, and you are eternally lost; its beauty, its freshness and its fragrance will haunt you for ever, and each year when June comes round you will be impelled, by an irresistible desire, to tread once more the heights of Snaefell and Barrule, and wander again through the glens of Sulby and the Dhoon. It were worse than useless for me to attempt to paint any of the beautiful scenes which Manxland possesses, but the explanation of its distinctive charm lies in this, that it is an island. For not only is it an island, but a nation—a nation with manners and customs peculiar to itself—a nation that is, for the most part, occupied with itself and its own affairs. Its very aloofness attracts. It is in the world, but not of it; it lies apart surrounded by the ever-changing seas, and covered by a firmament which seems to be a part of its very self. The dim outline of the hills of other lands—England, Scotland, Ireland and Wales—only emphasises this sense of remoteness. It is only the vessels out at sea creeping steadily along the horizon, that act as a reminder of the existence of other lands, and not the far-off lands themselves. These vessels are the only disturbing influence of the island’s peace: they breathe forth the breath of the city, and remind one of that which one has been tempted almost to forget—that the world is not all beautiful, and that sooner or later the city will again claim us as its own.