THE SURRENDER OF PARIS. A characteristic Divertimento for the Pianoforte, including the events from the Duke of Wellington and Prince Blucher's marching to that capital to the evacuation by the French troops and taking possession by the Allies, composed by Louis Jansen, 1816.

Not the least curious section of this piece of early programme music is a _moderato_ recording the various articles of the capitulation. These are eighteen in number, and each has its own 'theme.' The interspersion of some discords seems to imply serious differences of opinion between the parties to the treaty.

Charles Dickens and Music — Part 18

There was also a song called 'The Downfall of Paris,' the first verse of which was

Charles Dickens and Music — Part 18

Great news I have to tell you all, Of Bonaparte and a' that; How Paris it has got a fall, He's lost his plans and a' that.

Charles Dickens and Music — Part 18

Rise up, John Bull, rise up and sing, Your chanter loudly blaw that; Lang live our auld and worthy king, Success to Britain, a' that.

The instrument beloved of Miss Tox (_D. & S._) was the harpsichord, and her favourite piece was the 'Bird Waltz,' while the 'Copenhagen Waltz' was also in her repertoire. Two notes of the instrument were dumb from disuse, but their silence did not impoverish the rendering. Caddy Jellyby found it necessary to know something of the piano, in order that she might instruct the 'apprentices' at her husband's dancing-school. Another performer was Mrs. Namby, who entertained Mr. Pickwick with solos on a square piano while breakfast was being prepared. When questioned by David Copperfield as to the gifts of Miss Sophy Crewler, Traddles explained that she knew enough of the piano to teach it to her little sisters, and she also sang ballads to freshen up her family a little when they were out of spirits, but 'nothing scientific.' The guitar was quite beyond her. David noted with much satisfaction (though he did not say so) that his Dora was much more gifted musically.

When Dickens wrote his earlier works it was not considered the correct thing for a gentleman to play the piano, though it might be all very well for the lower classes and the music teacher. Consequently we read of few male performers on the instrument. Mr. Skimpole could play the piano, and of course Jasper had a 'grand' in his room at Cloisterham.