The essence of the Scandinavian, as indeed of all Pagan Mythologies, we found to be recognition of the divineness of Nature; sincere communion of man with the mysterious invisible Powers visibly seen at work in the world round him. This, I should say, is more sincerely done in the Scandinavian than in any Mythology I know. Sincerity is the great characteristic of it. Superior sincerity (far superior) consoles us for the total want of old Grecian grace. Sincerity, I think, is better than grace. I feel that these old Northmen were looking into Nature with open eye and soul: most earnest, honest; childlike, and yet manlike; with a great-hearted simplicity and depth and freshness, in a true, loving, admiring, unfearing way. A right valiant, true old race of men. Such recognition of Nature one finds to be the chief element of Paganism: recognition of Man, and his Moral Duty, though this too is not wanting, comes to be the chief element only in purer forms of religion. Here, indeed, is a great distinction and epoch in Human Beliefs; a great landmark in the religious development of Mankind. Man first puts himself in relation with Nature and her Powers, wonders and worships over those; not till a later epoch does he discern that all Power is Moral, that the grand point is the distinction for him of Good and Evil, of _Thou shalt_ and _Thou shalt not_.
With regard to all these fabulous delineations in the _Edda_, I will remark, moreover, as indeed was already hinted, that most probably they must have been of much newer date; most probably, even from the first, were comparatively idle for the old Norsemen, and as it were a kind of Poetic sport. Allegory and Poetic Delineation, as I said above, cannot be religious Faith; the Faith itself must first be there, then Allegory enough will gather round it, as the fit body round its soul. The Norse Faith, I can well suppose, like other Faiths, was most active while it lay mainly in the silent state, and had not yet much to say about itself, still less to sing.
Among those shadowy _Edda_ matters, amid all that fantastic congeries of assertions, and traditions, in their musical Mythologies, the main practical belief a man could have was probably not much more than this: of the _Valkyrs_ and the _Hall of Odin_; of an inflexible _Destiny_; and that the one thing needful for a man was _to be brave_. The _Valkyrs_ are Choosers of the Slain: a Destiny inexorable, which it is useless trying to bend or soften, has appointed who is to be slain; this was a fundamental point for the Norse believer;--as indeed it is for all earnest men everywhere, for a Mahomet, a Luther, for a Napoleon too. It lies at the basis this for every such man; it is the woof out of which his whole system of thought is woven. The _Valkyrs_; and then that these _Choosers_ lead the brave to a heavenly _Hall of Odin_; only the base and slavish being thrust elsewhither, into the realms of Hela the Death-goddess: I take this to have been the soul of the whole Norse Belief. They understood in their heart that it was indispensable to be brave; that Odin would have no favour for them, but despise and thrust them out, if they were not brave. Consider too whether there is not something in this! It is an everlasting duty, valid in our day as in that, the duty of being brave. _Valour_ is still _value_. The first duty of a man is still that of subduing _Fear_. We must get rid of Fear; we cannot act at all till then. A man's acts are slavish, not true but specious: his very thoughts are false, he thinks too as a slave and coward, till he have got Fear under his feet. Odin's creed, if we disentangle the real kernel of it, is true to this hour. A man shall and must be valiant; he must march forward, and quit himself like a man--trusting imperturbably in the appointment and _choice_ of the upper Powers; and, on the whole, not fear at all. Now and always, the completeness of his victory over Fear will determine how much of a man he is.