"Yes, you're all right," said he. "If you go when that clock strikes half-past, and take the next car down, you'll make the connection easily at Turnhill. I'll put you into the car."

Mr Morfe kept his modern choral music beneath a broad seat under the bow window. The music was concealed by a low curtain that ran on a rod--the ingenious device of Mary. He stooped down to find the _Vision of Cleopatra_, and at first he could not find it. Mary walked towards that end of the drawing-room with a vague notion of helping him, and then Eva did the same, and then Mary walked back, and then Mr Morfe happily put his hand on the _Vision of Cleopatra_.

The Matador of the Five Towns and Other Stories — Part 150

He opened the score for Eva's inspection, and began to hum passages and to point out others, and Eva also began to hum, and they hummed in concert, at intervals exclaiming against the wantonness with which Havergal Brian had invented difficulties. Eva glanced at the clock.

The Matador of the Five Towns and Other Stories — Part 150

"You're all right," Mr Morfe assured her somewhat impatiently. And he, too, glanced at the clock: "You've still nearly ten minutes."

The Matador of the Five Towns and Other Stories — Part 150

And proceeded with his critical and explanatory comments on the _Vision of Cleopatra_.

He was capable of becoming almost delirious about music. Mary Morfe had seated herself in silence.

At last Eva and Mr Morfe approached the fire and the mantelpiece again. Mr Morfe shut up the score, dismissed his delirium, and looked at the clock, quite prepared to see it pointing to twenty-nine and a half minutes past nine. Instead, the clock pointed to only twenty-two minutes past nine.

"By Jove!" he exclaimed again rather more loudly. "I do believe that clock's stopped!"

It had. The pendulum hung perpendicular, motionless, dead.

He was astounded. For the clock had never been known to stop. It was a presentation clock, of the highest guaranteed quality, offered to him as a small token of regard and esteem by the members of the Bursley Orpheus Glee and Madrigal Club to celebrate the twelfth anniversary of his felicitous connection with the said society. It had stood on his mantelpiece for four years and had earned an absolutely first-class reputation for itself. He wound it up on the last day of every month, for it was a thirty-odd day clock, specially made by a famous local expert; and he had not known it to vary more than ten minutes a month at the most. And lo! it had stopped in the very middle of the month.