For the nomads can no more give you a sense of companionship than the wild goats; they are equally unconscious of the desolation which surrounds them. All day long the men lie before the low doors of their tents lazily watching the grazing herds; towards evening, perhaps, they will stroll along the banks of the river with a bent stick for fishing-rod, dropping a skilful line into the pools where lie the guileless trout of those waters. Meantime the women sit weaving the coarse black roofs which shelter them, or twisting the yellow reeds into matting for walls, working so deftly that in an incredibly short time a new dwelling has grown under their fingers. In the clear sunlight the encampment looks sordid enough; night, which with sudden fingers sweeps away the sun, revealing the great depths of heaven and the patined stars, reveals also the mysterious picturesqueness of camp-life. The red light of the fires flickers between the tents; the crouching figures of men and women preparing the evening meal seem to be whispering incantations into the hot ashes. They rise, dim and gigantic, with faces gleaming in the uncertain starlight; they flit like demons backwards and forwards between the glowing rays of the fires and the darkness beyond. You find yourself transplanted into a circle of the Inferno, of which the shaggy dogs that leap out barking to meet you are no less vigilant guardians than Cerberus himself A woman with neck and breast uncovered catches you by the sleeve, and offers to sell you a bowl of clotted cream or a vociferous fowl; her dark eyes glisten through the dusk as she tosses the matted hair from her forehead; perhaps if you stayed to eat at the bidding of this Queen of Dis you would be kept eternally a prisoner in her mournful domains. With the dawn the mystery vanishes--the place through which you passed last night is only a dull little camp, after all--and this woman clothed in dirty rags, is it possible that she can be the regal figure of last night?

But daylight will not bring you into closer fellowship with the nomads; even if you fall into speech with one of them, there are few common topics on which you can converse. He will question you as to your nationality. Are you a Russian? he inquires, naming probably the only European nation he knows. You try to explain that you are English, and come from far across the seas; and he listens attentively, though you know that your words throw no light on his boundless ignorance. Presently he will change the conversation to matters more within his understanding. What news is there of the Shah? Is he coming this summer to his camp at Siah Palas? Has the sickness struck him? The sickness! So with terrible significance he speaks of the cholera which is ravaging the country, and goes on to tell you that he and his family are flying before it. ‘From over there they have come,’ pointing to distant valleys. ‘The sickness fell on them; eleven of their men died, and since they moved down here two more have been carried off.’ A sudden picture of grim fear flashes up before you at his simple words. With what shapeless terror does the plague fill the feeble little camp! With what awful solemnity must the dead body invest the frail, small hut! What wailing cries take the place of all the cheerful sounds, and with what hurried dread is the corpse committed to an unremembered grave! Many processions of villages on the march pass you now, flying from the terror of death--a little herd of goats and horses driven by the children, a few camels carrying the rolled-up bundles of reed-dwellings, on the top of which sit the men of the family, women on foot following in the rear, a convoy of yellow dogs barking round the tiny caravan into whose narrow compass all the worldly goods of so many human beings are compressed.

Safar Nameh, Persian Pictures — Part 27