Designers of transitional style (Louis XV.—Louis XVI.), 256–257

Directoire style, 285, 367, 370, 374, 375, 379–380

French and English furniture — Part 208

Empire style, characteristics of, 372–374

French and English furniture — Part 208

——, relations with the Netherlands, 37–38

French and English furniture — Part 208

Evelyn, John, quotations from, 50–51, 112–113, 114–115

—— style, Heppelwhite’s admiration of, 316

_Gentlemen and Cabinet-Maker’s Director, The_, 135, 222, 223, 224, 247

Gobelins, manufacture des, established, 66

Gobelins, artists and artisans employed at the, 66

——, designs (Chippendale), 228, 235, 241–243

Gouvernet, La Marquise de, inventory of, 121–126

House (Louis XV.), description of, 182–185

_Industrious Apprentice_, escritoire in, 152

Jacobean furniture. Tudor and Flemish mixture in, 37

_Journal de la mode_, quotation from, 367–368

Line, the straight, insistence of the, 253–254

——, transitional from, to Louis XVI., 195

Mademoiselle, La Grande, quotations from, 91, 111–112

Mazarin, Cardinal, 4, 12, 13, 18, 21, 28, 30, 32

Monkeys in decoration, 141, 142, 161, 211

Netherlands, influence of, on Jacobean furniture, 37

—— (Chippendale’s), 227, 229–230, 237, 247

Osterley Park, Adam decorations at, 304–305

Porcelain as a decoration for furniture, 256

_Principes de l’art du tapissier_, quotation from, 196

—— style, characteristics of the, 141–142

Rochefort, Mme. la Maréchale, cabinet of, 97–98

—— (Louis XV.), 171–172, 174–175, 182–183

Secretary and bookcase (Sheraton), 359–360

Shakespeare, quotations from, 38–39, 53–54, 55

——, quotations from, 331–332, 332–333, 335, 335–336, 336–338, 338–342, 342–343, 343–344, 344–345, 345–346, 346–347, 348–349, 350, 350–351, 352–355, 357, 357–358

—— (Chippendale), 239–241, 240–241, 242–244, 246–247

——, tambour writing and bookcase, 324–326

Talmont, Mme. la Princesse de, apartment of, 189–191

_Taming of the Shrew_, quotation from, 38–39

Taste in England, Ware’s criticism of, 138–140

—— home, Shakespeare’s description of a, 38–39

Ware, Isaac, quotations from, 138–140, 145–148, 149–150

Window-curtains (Early Georgian), 153–154

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1. Changed “feet long” to “feet wide” on p. 78. 2. Changed “dairy” to “diary” on p. 112. 3. Silently corrected typographical errors. 4. Retained anachronistic and non-standard spellings as printed. 5. Enclosed italics font in _underscores_. 6. Superscripts are denoted by a carat before a single superscript character or a series of superscripted characters enclosed in curly braces, e.g. M^r. or M^{ ister}.