Blessèd Bundock, genial Mercury of those days before the Flood, if the rubbered wheel of the postdiluvian age might have better winged thy feet, yet thy susceptible eye—that rested all-embracingly on female gleaners—was never darkened by the sight of the soulless steel reaper, cropping close like a giant goose, and thou wast equally spared that mechanic flail-of-all-work that drones through the dog-days like a Brobdingnagian bumble-bee. For thine happier ear the cottages yet hummed with the last faint strains of the folk-song: unknown in thy sylvan perambulations that queer metallic parrot, hoarser even than the raucous reality, which now wakens and disenchants every sleepy hollow with echoes of the London music-hall.
Rural Essex was long the unchanging East, and there are still ploughmen who watch the airmen thunder by, then plunge into their prog again. The shepherds who pour their fleecy streams between its hedgerows are still as primitive as the herdsmen of Chaldea, and there are yokels who dangle sideways from their slow beasts as broodingly as the Bedouins of Palestine. Even to-day the spacious elm-bordered landscapes through which Jinny’s cart rolled and her dog circumambiently darted, lie ignored of the picture postcard, and on the red spinal chimney-shaft of Frog Farm the doves settle with no air of perching for their photographs. Little Bradmarsh is still Little, still the most reclusive village of all that delectable champaign; the Brad still glides between its willows unruffled by picnic parties and soothed rather than disturbed by rusty, ancient barges. But when Gran’fer Quarles first brought little Jinny to these plashy bottoms, the region it watered—not always with discretion—was unknown even to the gipsy caravans and strolling showmen, and quite outside the circuit of the patterers and chaunters who stumped the country singing or declaiming lampoons on the early Victoria; not a day’s hard tramp from Seven Dials where they bought their ribald broadsheets, yet as remote as Arabia Felix.
_He comes, the herald of a noisy world,_ _With spattered boots._ COWPER, “The Task.”
IT had rained that April more continuously than capriciously, but this morning April showed at last her fairer face. The sunshine held as yet no sense of heat, only the bracingness of a glad salt wave. Across the spacious blue of the Essex sky clouds floated and met and parted in a restful restlessness. The great valley swam in a blue sea of vapour. Men trod as on buoyant sunshine that bore them along. The buds were peeping out from every hedge and tree, the blackthorn was bursting into white, the whole world seemed like a child tiptoeing towards some delightful future. Primroses nestled in every hollow: the gorse lay golden on the commons. The little leaves of the trees seemed shy, scarcely grown familiar with the fluttering of the birds. All the misery, pain, and sadness had faded from creation like a bad dream: the stains and pollutions were washed out, leaving only the young clean beauty of the first day. It was a virgin planet, fresh from the hands of its Maker, trembling with morning dew—an earth that had never seen its own blossoming. And the pæan of all this peace and innocence throbbed exultingly in bird-music through all the great landscape. Over the orchard of Frog Farm there were only two larks, but you would have thought a whole orchestra.