Not, however, to be unjust, I must admit that the _Electra_ is perhaps the very worst of Euripides' pieces. Was it the rage for novelty which led him here into such faults? He was truly to be pitied for having been preceded in the treatment of this same subject by two such men as Sophocles and Aeschylus. But what compelled him to measure his powers with theirs, and to write an _Electra_ at all?
Character of the remaining Works of Euripides--The Satirical Drama-- Alexandrian Tragic Poets.
Of the plays of Euripides, which have come down to us in great number, we can only give a very short and general account.
On the score of beautiful morality, there is none of them, perhaps, so deserving of praise as the _Alcestis_. Her resolution to die, and the farewell which she takes of her husband and children, are depicted with the most overpowering pathos. The poet's forbearance, in not allowing the heroine to speak on her return from the infernal world, lest he might draw aside the mysterious veil which shrouds the condition of the dead, is deserving of high praise. Admetus, it is true, and more especially his father, sink too much in our esteem from their selfish love of life; and Hercules appears, at first, blunt even to rudeness, afterwards more noble and worthy of himself, and at last jovial, when, for the sake of the joke, he introduces to Admetus his veiled wife as a new bride.
_Iphigenia in Aulis_ is a subject peculiarly suited to the tastes and powers of Euripides; the object here is to excite a tender emotion for the innocent and child-like simplicity of the heroine: but Iphigenia is still very far from being an Antigone. Aristotle has already remarked that the character is not well sustained throughout. "Iphigenia imploring," he says, "has no resemblance to Iphigenia afterwards yielding herself up a willing sacrifice."
_Ion_ is also one of his most delightful pieces, on account of the picture of innocence and priestly sanctity in the boy whose name it bears. In the course of the plot, it is true, there are not a few improbabilities, makeshifts, and repetitions; and the catastrophe, produced by a falsehood, in which both gods and men unite against Xuthus, can hardly be satisfactory to our feelings.