This is the _doctrine_ to which I have now listened so long and so often, that I have ceased all attempts to refute it. I have, however, while stating it, been led to wander a little from those reminiscences respecting fair France which I found so interesting, coming forth as they did, as if by accident, from the rich storehouse of my agreeable friend's memory: but I believe it would be quite in vain were I to go back to the point at which I deviated, for I could do justice neither to the matter nor the manner of the conversations which afforded me so much pleasure;--I believe therefore that I had better spare you any more politics just at present, and tell you something of several things which we had the pleasure of seeing with him.

One of these was Baron Gros' magnificent sketch, if I must so call a very finished painting, of his fine picture of the Plague of Jaffa. A week or two before I had seen the picture itself at the Luxembourg, and felt persuaded then that it was by far the finest work of the master; but this first developement of his idea is certainly finer still. It is a beautiful composition, and there are groups in it that would not have lowered the reputation of Michael Angelo. The severe simplicity of the Emperor's figure and position is in the very purest taste.

Paris and the Parisians in 1835 (Vol. 2 of 2) — Part 164

This very admirable work was, when we saw it, in the possession of the Baron de Sylvestre, whose collection, without having the dignity of a gallery, has some beautiful things in it. Our visit to it and its owner was one of great interest to me. I have seldom seen any one with a more genuine and enthusiastic love of art. He has one cabinet,--it is, I believe, his own bed-room,--which almost from floor to ceiling is hung with little gems, so closely set together as to produce at first sight the effect of almost inextricable confusion;--portraits, landscapes, and historic sketches--pencil crayon, water-colour and oil--with frames and without frames, all blended together in utter defiance of all symmetry or order whatever. But it was a rich confusion, and many a collector would have rejoiced at receiving permission to seize upon a chance handful of the heterogeneous mass of which it was composed.

Paris and the Parisians in 1835 (Vol. 2 of 2) — Part 164