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[Illustration: HELIOS AND STARS, FROM THE BLACAS KRATER IN THE BRITISH MUSEUM.]

History of Ancient Pottery. Volume 2 (of 2) — Part 62

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History of Ancient Pottery. Volume 2 (of 2) — Part 62

=Selene=, the Moon, appears in many of the scenes already described under Helios, as on the Blacas krater. She is depicted under two types, either on horseback[949] or driving a chariot like Helios,[950] both as a single figure and in other scenes; and she is sometimes characterised by the lunar disc or crescent. Besides the scenes already referred to, she appears on horseback at the birth of Dionysos[951] and at the pursuit of Medeia by Jason.[952] The magic arts used by Thessalian witches to draw down the moon from heaven are also the subject of a vase-painting,[953] where two women essay to perform this feat by means of a rope, addressing her, “O Lady Moon!”

History of Ancient Pottery. Volume 2 (of 2) — Part 62

=Stars= are occasionally represented with an astronomical reference, as on the Blacas krater, where they appear in the form of youths, or grouped with Helios, Selene, and Eos.[954] Phosphoros, the Morning Star, may be identified in this connection, represented as a youth running[955]; but in other cases they are not personified, as on a vase which represents the moon and stars with the constellation Pegasos.[956]

=Hemera=, the Day, we have already once noted; but in art she is hardly to be distinguished from Eos (Dawn). Nor can Nyx (Night) be identified with certainty on vases.[957] =Eos= is not an uncommon figure, especially on R.F. vases, and she also plays a part in certain myths. As a single figure she appears rising from the sea in, or driving, a four-horse chariot like Helios,[958] her steeds in one case being named Phlegethon and Lampon. She is also represented flying with two hydriae, from which she pours out dew upon the earth.[959] She is frequently seen pursuing or carrying Kephalos[960] or Tithonos,[961] and is present at the apotheosis of Alkmena.[962] At the combat of her son Memnon with Achilles she and the other mother, Thetis, are generally present.[963] She also pleads with Zeus for her son’s safety,[964] and bears away his body after the fatal issue of the fight.[965]

Next we have to deal with =the Winds=, as personified by the figures of Boreas, Zephyros, etc. As single figures they seldom appear, though we have possible instances of _Boreas_, with the unusual type of a serpent’s tail,[966] or simply as a winged male figure.[967] A wind-god is seen in an episode from the Gigantomachia opposing the chariot of Zeus,[968] and another in an assemblage of deities round Apollo Kitharoidos.[969] _Zephyros_ is seen pursuing Hyakinthos,[970] and he and Boreas together bear the body of a warrior to the tomb in the same manner as Hypnos and Thanatos.[971] But the most important subject connected with Boreas is his pursuit of the Athenian maiden Oreithyia, a frequent scene on the later R.F. vases,[972] some being very fine examples. Erechtheus, Kekrops, and the Nymphs Aglauros, Herse, and Pandrosos, are usually present, and the latter in one case announce the news to Kekrops or Erechtheus.[973] Boreas is also depicted in the act of punishing Phineus by blinding him, and attacked by the latter’s friend Parebios.[974]