Francis Jeffrey, Lord Jeffrey (23 October 1773 – 26 January 1850) was a Scottish judge and literary critic.

Life

He was born at 7 Charles Street near Potterow in south Edinburgh, the son of George Jeffrey, a clerk in the Court of Session (first clerk to Robert Sinclair, advocate).

Francis Jeffrey, Lord Jeffrey

After attending the Royal High School for six years, he studied at the University of Glasgow from 1787 to May 1789, and at Queen's College, Oxford, from September 1791 to June 1792. He had begun the study of law at Edinburgh before going to Oxford, and returned to it afterwards. He became a member of the Speculative Society, where he measured himself in debate with Sir Walter Scott, Lord Brougham, Francis Horner, the Marquess of Lansdowne, Lord Kinnaird and others. He was admitted to the Scottish bar in December 1794, but, having abandoned the Tory principles in which he had been educated, he found that his Whig politics hampered his legal prospects.

Francis Jeffrey, Lord Jeffrey

In consequence of his lack of success at the bar he went to London in 1798 to try his hand at journalism, but without success; he also failed in his attempts to obtain a salaried position. His marriage to Catherine Wilson in 1801 made the question of a settled income even more pressing. A project for a new review, brought up by Sydney Smith in Jeffrey's flat (on Buccleuch Place) in the presence of Henry Brougham (afterwards Lord Brougham), Francis Horner and others, resulted in the appearance on 10 October 1802 of the Edinburgh Review.

Francis Jeffrey, Lord Jeffrey

At the outset the Review did not have an editor. The first three numbers were effectively edited by Sydney Smith. On his leaving for England the work devolved chiefly on Jeffrey, who, by an arrangement with Archibald Constable, the publisher, was eventually appointed editor at a fixed salary. Most of those involved were Whigs; but, although the general bias of the Review was towards social and political reforms, it was at first so little of a party organ that it numbered Sir Walter Scott among its contributors; and no distinct emphasis was given to its political leanings until the publication in 1808 of an article by Jeffrey himself on the work of Don Pedro Cevallos on the French Usurpation of Spain. This article expressed despair of the success of the British arms in Spain, and Scott at once withdrew his subscription, the Quarterly being soon afterwards started in opposition. According to Lord Cockburn the effect of the first number of the Edinburgh Review was "electrical." The English reviews were at that time practically publishers' organs, with articles by hack writers instructed to obey the publishers' interests. The Edinburgh Review, on the other hand, enlisted a brilliant and independent staff of contributors, guided by the editor, not the publisher. They received sixteen guineas a sheet (sixteen printed pages), increased subsequently to twenty-five guineas in many cases, instead of the two guineas earned by London reviewers. The review was not limited to literary criticism but became the accredited organ of moderate Whig public opinion. The particular work which provided the starting-point of an article was in many cases merely the occasion for the exposition, always brilliant and incisive, of the author's views on politics, social subjects, ethics or literature. These general principles and the novelty of the method ensured the success of the undertaking even after the original circle of exceptionally able men who founded it had been dispersed. It had a circulation of 12,000. Jeffrey's editorship lasted about twenty-six years, ceasing with the ninety-eighth number, published in June 1829, when he resigned in favour of Macvey Napier.

Jeffrey's own contributions numbered two hundred, all except six being written before his resignation of the editorship. He wrote quickly, at odd moments of leisure and with little special preparation. Great fluency and ease of diction, considerable warmth of imagination and moral sentiment, and a sharp eye to discover any oddity of style or violation of the accepted canons of good taste, made his criticisms pungent and effective. But the essential narrowness and timidity of his general outlook prevented him from detecting and estimating latent forces, either in politics or in matters strictly intellectual and moral; and this lack of understanding and sympathy accounts for his distrust and dislike of the passion and fancy of Shelley and Keats, and for his praise of the half-hearted and elegant romanticism of Samuel Rogers and Thomas Campbell.