[Footnote 40: Take an opportunity of going unnoticed, to a bean stack, and fathom it three times round. The last fathom of the last time, you will catch in your arms the appearance of your future conjugal yoke-fellow.]

[Footnote 41: You go out, one or more, for this is a social spell, to a south running spring or rivulet, where "three lairds' lands meet," and dip your left shirt-sleeve. Go to bed in sight of a fire, and hang your wet sleeve before it to dry. Lie awake: and, some time near midnight, an apparition having the exact figure of the grand object in question, will come and turn the sleeve, as if to dry the other side of it.]

The Complete Works of Robert Burns: Containing his Poems, Songs, and Correspondence. — Part 114

[Footnote 42: Take three dishes: put clean water in one, foul water in another, and leave the third empty; blindfold a person and lead him to the hearth where the dishes are ranged; he (or she) dips the left hand: if by chance in the clean water, the future husband or wife will come to the bar of matrimony a maid; if in the foul, a widow; if in the empty dish, it foretells, with equal certainty, no marriage at all. It is repeated three times, and every time the arrangement of the dishes is altered.]

The Complete Works of Robert Burns: Containing his Poems, Songs, and Correspondence. — Part 114

[Footnote 43: Sowens, with butter instead of milk to them, is always the Halloween supper.]

The Complete Works of Robert Burns: Containing his Poems, Songs, and Correspondence. — Part 114

[The origin of this fine poem is alluded to by Burns in one of his letters to Mrs. Dunlop: "I had an old grand-uncle with whom my mother lived in her girlish years: the good old man was long blind ere he died, during which time his highest enjoyment was to sit and cry, while my mother would sing the simple old song of 'The Life and Age of Man.'" From that truly venerable woman, long after the death of her distinguished son, Cromek, in collecting the Reliques, obtained a copy by recitation of the older strain. Though the tone and sentiment coincide closely with "Man was made to Mourn," I agree with Lockhart, that Burns wrote it in obedience to his own habitual feelings.]

When chill November's surly blast Made fields and forests bare, One ev'ning as I wandered forth Along the banks of Ayr, I spy'd a man whose aged step Seem'd weary, worn with care; His face was furrow'd o'er with years, And hoary was his hair.

"Young stranger, whither wand'rest thou?" Began the rev'rend sage; "Does thirst of wealth thy step constrain, Or youthful pleasure's rage? Or haply, prest with cares and woes, Too soon thou hast began To wander forth, with me to mourn The miseries of man.