Again he says (_op. cit_., p. 253): "If I were reduced to choose between this method and that of comparative philology, I would prefer the former without the slightest hesitation. This method alone enables us to explain the fact, such a frequent cause of surprise, that the Greeks, like the Germans, ... could attribute to their gods all manner of cruel, cowardly, and dissolute actions. This method alone reveals the cause of all the strange metamorphoses of gods into animals, plants, and even stones.... In fact, this method teaches us to recognize in all these oddities the survivals of an age of barbarism long over-past, but lingering into later times, under the form of religious legends, the most persistent of all traditions. ... This method, then, can alone help us to account for the genesis of myths, because it devotes itself to studying them in their rudest and most primitive shape." At the same time, Tiele thought that the anthropological method "cannot answer all the questions which the science of mythology must solve, or at least must study." He also states that the anthropological school is "not entirely wrong" in claiming him as an ally, and goes on to say: "But I must protest in the name of mythological science, and of the exactness as necessary to her as to any of the other sciences, against a method which only glides over questions of the first importance and which to most questions can only reply, with a smile, _C'est chercher raison où il n'y en a pas_."

Tiele also considered the anthropological school "too exclusive," and thought that it might have ignorant camp-followers. In the latter fear he was justified, as writers who saw totems and fetishes everywhere were at that time rife; and there are not wanting popular writers of the present day just as extravagant, who, while highly enthusiastic over the achievements of the school, only dimly appreciate the anthropological standpoint.

An Introduction to Mythology — Part 44

Perhaps the greatest binding force, and certainly the greatest popularity, was given to the anthropological school by Andrew Lang (1844-1913), whose works _Myth, Ritual, and Religion_ (1887), _Modern Mythology_ (1897), and _The Making of Religion_ (1898), contain originality, great dialectic ability, and keen insight. Waxing autobiographical in the second work, Lang wrote concerning his own position: "Like other inquiring under-graduates in the sixties, I read such works on mythology as Mr Max Müller had then given to the world; I read them with interest, but without conviction. The argument, the logic, seemed to evade one; it was purely, with me, a question of logic, for I was of course prepared to accept all of Mr Max Müller's dicta on questions of etymologies. Even now I never venture to impugn them, only, as I observe that other scholars very frequently differ, _toto coelo_, from him and from each other in essential questions, I preserve a just balance of doubt; I wait till these gentlemen shall be at one among themselves. After taking my degree in 1868, I had leisure to read a good deal of mythology in the legends of all races, and found my distrust of Mr Max Müller's reasoning increase upon me. The main cause was that whereas Mr Max Müller explained Greek myths by etymologies of words in the Aryan languages, chiefly Greek, Latin, Slavonic, and Sanskrit, I kept finding myths very closely resembling those of Greece among Red Indians, Kaffirs, Eskimo, Samoyeds, Kamilaroi, Maoris, and Cahrocs. Now if Aryan myths arose from a 'disease' of Aryan languages, it certainly did seem an odd thing that myths so similar to these abounded where non-Aryan languages alone prevailed. Did a kind of linguistic measles affect all tongues alike, from Sanskrit to Choctaw, and everywhere produce the same ugly scars in religion and myth? The ugly scars were the problem! A civilised fancy is not puzzled for a moment by a beautiful beneficent Sun-god, or even by his beholding the daughters of men that they are fair. But a civilised fancy _is_ puzzled when the beautiful Sun-god makes love in the shape of a dog. To me, and indeed to Mr Max Müller, the ugly scars were the problem."

An Introduction to Mythology — Part 44