If merely for the purpose of promoting conversation, something ought to be _done_, on all occasions of social gatherings, something to talk about, something that will afford people an excuse for getting from their seats, something to bring people together, something to break the ice. We have seen a whole party of very estimable people sit round the room for hours together in an agony of silence, only broken now and then by a small remark fired off by some desperate individual, in the forlorn hope that he would bring on a general conversation.

In our little sketches we shall be discursive, erratic, and unsystematic, just as the fancy takes us. Still, there will be a method in our madness; we shall try to give in each chapter a programme somewhat suited to some one season, and of sufficient variety and quantity to afford amusement for one evening.

The Art of Amusing — Part 5

In the first place, we must remark, in a general way, that we like a large centre-table. It is something to rally round, it is handy to put things on, and convenient for the bashful to lean against. On this table I would accumulate picture-books, toys, and knick-knacks--little odds and ends which will serve as subjects for conversation. If you can do no better, make a pig out of a lemon and four lucifer matches, or an alligator out of a carrot. But we will give some detailed instructions on this point in a future chapter. Any simple puzzles, numbers of which can be made out of cards, will be found helpful. Take, for example, a common visiting-card, and bend down the two ends, and place it on a smooth table, as represented in the annexed diagram, and then ask any one to blow it over. This seems easy enough; yet it is next door to an impossibility. Still, it is to be done by blowing sharply and not too hard on the table, about an inch from the card. Another little trick consists in making a coin (if such a thing is to be found nowadays) stick to the door. This is done by simply making a little notch with a knife on the edge of the coin, so that a small point of metal may project, which, when it is pressed against the woodwork, will penetrate, and so cause the dime or half-dime to appear to adhere magically to a perpendicular surface. When you have exhibited one or two tricks of this kind, some other member of the party may have something to show. Then, having secured the confidence of your audience, you may venture to play a hoax upon them. Never mind how trifling or how old these things are, they will serve the purpose of making people talk. Say, for example: "Now, ladies and gentlemen, I will show a trick that is worth seeing. There are only two people in the United States that can execute it--myself and the Siamese Twins. First of all, I must borrow two articles from two ladies--a pocket-handkerchief and--a boot-jack." Of course no one has the boot-jack; so, pretending to be a little disappointed, you say: "Never mind; I must do without it. Will some gentleman be kind enough to lend me three twenty-dollar gold pieces?" Of course no one has these, either; so you content yourself with borrowing two cents. You place one in each hand, and extending your arms wide apart, assure your audience that you will make both pennies pass into one hand without bringing your arms together. This you do by laying one on the mantel-piece, and turning your whole body round, your arms still extended, till the hand containing the other coin comes over the place where you laid down the cent; then you quietly take it up, and the trick is performed.

The Art of Amusing — Part 5