George Vaughn Horton (June 5, 1911 – February 29, 1988) was an American songwriter and performer. Usually credited as "Vaughn Horton" or "George Vaughn", he wrote or contributed to the success of a number of popular songs, including "Choo Choo Ch'Boogie", "Hillbilly Fever", "Sugar-Foot Rag", "Mockin' Bird Hill" and the Christmas song "Jolly Old Saint Nicholas".
Early life and education
Vaughn Horton and his brother Roy Horton were the sons of coal miner Scott George Horton (1885-1950) and his wife Eunice Waite Horton (1884-1966) in Huntingdon County in the Allegheny Mountains of south central Pennsylvania, first in Broad Top Township and then in the small community of Wood. Vaughn graduated from nearby Robertsdale High School. Vaughn, a guitarist, and Roy, a fiddler, got their start in music playing country music at roadhouses along the nearby Lincoln Highway, the nation's first transnational highway, which ran through Pennsylvania. After attending Pennsylvania State University briefly, Vaughn and Roy left in November 1934 to move to Philadelphia and a year later to New York City, where they found work singing country music on the radio, including an appearance on The Fleischmann's Yeast Hour.<ref>Possibilities", Billboard, Jan 11, 1936, p. 26 (under the name "Berks County Boys")</ref> Vaughn later moved into record producing, playing at recording sessions, and songwriting.
The Pinetoppers
In New York Vaughn and Roy Horton formed a "hillbilly band" named the Pinetoppers, with Vaughn as the leader and chief composer/songwriter. The Pinetoppers sometimes backed other Coral Records artists on recordings, such as Ray Smith, Bill Darnel, and Kenny Roberts, and sometimes worked on their own. They scored three charting records on their own, all in 1951 - their version of Horton's Mockin' Bird Hill (No. 10 US, No. 3 country), another Horton tune, "Metro Polka" (No. 12 country), and Cy Coben's "Lonely Little Robin" (No. 14 US, No. 11 country), which also featured Pinetoppers' collaborators Ray Smith and the Marlin Sisters.
The Pinetoppers had three albums on Coral Records: As Introduced By the Pinetoppers (1950), The Pinetoppers (1956) and Square Dances (Without Calls) (10"; date unknown). They also released many singles between 1947 and 1956.
Songwriting
Horton's first songwriting credit may have been for "Never Trust a Man", released by Judy Canova in 1939. Another early credit was "Care of Uncle Sam" (1942), a war song co-written with New York-based country singer Denver Darling and released as a B-side by him. Darling became a frequent collaborator.
Darling and Horton contributed "Don't Hang Around Me Anymore" to Gene Autry, who took it to number four on the country charts in 1945. Another Darling/Horton tune, with an additional writing credit for producer Milt Gabler, was "Choo Choo Ch'Boogie", recorded by bandleader Louis Jordan and his Tympany Five in January 1946; it topped the R&B charts for 18 weeks starting in August of 1946.
In 1947 the Sons of the Pioneers recorded Horton's "Teardrops in My Heart" and took it to No. 4 on the country charts; the song became a standard and charted for many other artists in later years, including Theresa Brewer (1957), Joe Barry (1961), Rex Allen Jr. (1976), and Marty Robbins (1981).
In 1948 Horton wrote English lyrics for Artur Beul's 1944 song "Nach em Räge schint Sunne" and named it "Toolie Oolie Doolie (The Yodel Polka)". The Andrews Sisters' version became a hit and went to number 3 on the national charts. Horton's own version, by Vaughn Horton and His Polka Debs, charted at No. 11, as did one by The Sportsmen, while two other versions, by the Marlin Sisters and by bandleader Henri René, made it to No. 30.
In 1949 versions of Horton's "Till the End of the World" made the country charts for three different artists - Jimmy Wakely (No. 9), Ernest Tubb (No. 4), and Johnny Bond (No. 12). Bing Crosby's 1952 version charted No. 16 popular, No. 10 country. Horton also collaborated with Hank Garland on Sugar-Foot Rag, which sold over a million copies for Garland; a 1979 Jimmie Reed recording of it also charted. In the same year Russ Morgan took Horton's "Barroom Polka" to No. 20 on the pop charts.
Horton's "Hillbilly Fever", a song commenting on the growing popularity of country music, was a hit for Little Jimmie Dickens in 1950; a slightly revised "Hillbilly Fever No. 2" was almost as successful for Ernest Tubb and Red Foley.