Ann Savage (born Berniece Maxine Lyon, February 19, 1921 – December 25, 2008) was an American film and television actress. She is best remembered as the greedy cigarette-puffing femme fatale in the critically acclaimed film noir Detour (1945). She featured in more than 20 B movies between 1943 and 1946.
Effectively leaving the film business in the mid 1950s, Savage made occasional appearances on television and worked for industrial and inspirational film producers from the 1950s to the 1970s. She made a number of live appearances at film festivals, especially for screenings of Detour.
In 2007 she was cast by director Guy Maddin as his mother in My Winnipeg, "a part that had been tipped to bring her an Academy Award and which introduced her to a legion of new fans".
Early life
Ann Savage was born Berniece Maxine Lyon in Columbia, South Carolina. During her early years, her family moved often as her father, an officer in the United States Army, relocated from base to base. After he died when Berniece was four years old, her mother moved the two of them to Los Angeles. Growing up around the corner from the Jewelry District, the Broadway movie palaces of downtown Los Angeles served as her babysitter while her mother worked selling jewelry.
She attended 64th Street Grammar School and Mount Vernon Junior High and first stepped on a sound stage at the age of 17 at MGM Studios to be screen tested by Edgar Selwyn. Ann spent time among the more famous Hollywood kids of the day, such as Lana Turner, Judy Garland, Freddie Bartholomew, and Deanna Durbin.
Berniece's MGM test did not work out, prompting her to get her teeth capped and acquire theatre training at the Max Reinhardt workshop on Sunset Boulevard. Reinhardt oversaw her name change, and Berniece became Ann Savage.
The Reinhardt school's manager, Bert D'Armand, became Savage's agent, and the two later married. Savage was offered a screen test by Fox, but she decided not to turn up, as she knew the studio already had a bevy of pretty blondes.
Career
1940s
Savage instead made a screen test with Columbia Pictures—after playing Lorna in a Reinhardt acting showcase of Odet's Golden Boy"—and was offered a contract. Recalling Columbia mogul Harry Cohn as "a friendly Uncle type", Savage remembered Cohn being intimidated by acid-tongued Rosalind Russell. The two actresses featured together in What a Woman!, one of a dozen films with Savage released in 1943.
Although Columbia typically groomed its girls in the mold of Rita Hayworth, Savage's look echoed Ann Sheridan, although her customary blonde locks were reddened for Footlight Glamour (1943) "so that the star, Penny Singleton, would be the only blonde on screen." She joined Joan Davis and Jinx Falkenburg in Two Senoritas from Chicago (1943) and starred (as a brunette) in the first of several outings with Tom Neal in Klondike Kate (1943). At this time, during World War II, Savage was also a popular pin-up model, including posing for a centerfold in Esquire shot by George Hurrell. She was a tireless seller of war bonds on two nationwide drives coordinated by Hollywood studios with the United States government.
Detour (1945)
Although Savage and Neal did not see eye-to-eye (she found him "childlike"), the duo would star together in Two Man Submarine and The Unwritten Code (both 1944) before their most famous film, the 1945 film noir Detour. Reminiscing in the 1980s about her career as a stalwart actress in B movies, Savage dismissed most of her roles as "mindless", saying: "The actresses were just scenery. The stories all revolved around the male actors; they really had the choice roles. All the actresses had to do was to look lovely, since the dialogue was ridiculous". Detour, she felt, was different. The two leads underwent role reversal, with Savage's Vera blackmailing Neal's Al, in a style described by her manager Kent Adamson as "vicious and predatory... very sexually aggressive".
Although the B-feature was shot quickly in 28 days, its status has been cemented over the years. Director Wim Wenders called her work "at least 15 years ahead of its time", and The Guardian termed Ann "a Garbo for our times". More recently, critics such as Derek Malcolm and Barry Norman have praised the film, with Norman calling Savage "sultry and sexy... a feline film noir star at its finest". After Detour, although Savage starred in a half-dozen more films during the later 1940s—including Scared Stiff (1945), The Spider (1945), The Dark Horse (1946), and Satan's Cradle (1949; a rare western)—her most prolific years were behind her.