Great was the throne of France even in those days, and great was He that sat upon it; but well Joanna knew that not the throne, nor he that sat upon it, was for _her_; but, on the contrary, that she was for _them_; not she by them, but they by her, should rise from the dust. Gorgeous were the lilies of France, and for centuries had the privilege to spread their beauty over land and sea, until, in another century, the wrath of God and man combined to wither them; but well Joanna knew, early at Domrémy she had read that bitter truth, that the lilies of France would decorate no garland for _her_. Flower nor bud, bell nor blossom, would ever bloom for _her_!

But stay. What reason is there for taking up this subject of Joanna precisely in the spring of 1847? Might it not have been left till the spring of 1947, or, perhaps, left till called for? Yes, but it _is_ called for, and clamorously. You are aware, reader, that amongst the many original thinkers whom modern France has produced, one of the reputed leaders is M. Michelet. All these writers are of a revolutionary cast; not in a political sense merely, but in all senses; mad, oftentimes, as March hares; crazy with the laughing gas of recovered liberty; drunk with the wine cup of their mighty Revolution, snorting, whinnying, throwing up their heels, like wild horses in the boundless pampas, and running races of defiance with snipes, or with the winds, or with their own shadows, if they can find nothing else to challenge. Some time or other, I, that have leisure to read, may introduce _you_, that have not, to two or three dozen of these writers; of whom I can assure you beforehand that they are often profound, and at intervals are even as impassioned as if they were come of our best English blood. But now, confining our attention to M. Michelet, we in England--who know him best by his worst book, the book against priests, etc.--know him disadvantageously. That book is a rhapsody of incoherence. But his "History of France" is quite another thing. A man, in whatsoever craft he sails, cannot stretch away out of sight when he is linked to the windings of the shore by towing-ropes of History. Facts, and the consequences of facts, draw the writer back to the falconer's lure from the giddiest heights of speculation. Here, therefore--in his "France"--if not always free from flightiness, if now and then off like a rocket for an airy wheel in the clouds, M. Michelet, with natural politeness, never forgets that he has left a large audience waiting for him on earth, and gazing upward in anxiety for his return; return, therefore, he does. But History, though clear of certain temptations in one direction, has separate dangers of its own. It is impossible so to write a history of France, or of England--works becoming every hour more indispensable to the inevitably political man of this day--without perilous openings for error. If I, for instance, on the part of England, should happen to turn my labours into that channel, and (on the model of Lord Percy going to Chevy Chase)

The English Mail-Coach and Joan of Arc — Part 42